The Year in Box Office

2019

note:  There were some things I meant to put in the post that I forgot.  They are added at the end.

As may be obvious, I have become greatly interested in box office results lately, noting in the last several Adapted Screenplay posts the highest grossing adapted films I haven’t seen for the year.  I have also put a lot of Box Office Mojo’s information into spreadsheets, which is doubly good, since, first, they became a bunch of dicks and put a lot of stuff behind a paywall (fuck you Bezos) and second, because I make a lot more use of it than they did anyway.

One of the bizarre things they have done now is that all of their yearly results initially list the calendar year.  Who has ever wanted that?  Who wants to look at 2015 and see that Force Awakens grossed just short of what Jurassic World grossed simply because of how late in the year it was released?  It’s a stupid default setting.  I don’t deal with that shit.  These are all based off the release date, not the calendar year of when grosses were accumulated.

It seems safe now to run this list now that COVID-19 has pretty much decimated the movie theater industry and brought box office to a virtual standstill, which means I can be pretty confident that nothing on this list will change much, if at all. (more…)

There isn’t a shot with all three of them in it and it didn’t seem right to leave one of them out. The best, wittiest and most hilarious film of what was actually a great year for films.

My Top 20

  1. The Favourite
  2. First Man
  3. Roma
  4. If Beale Street Could Talk
  5. A Star is Born
  6. BlackKklansman
  7. Cold War
  8. Black Panther
  9. Spider-Man: Into the Spider-Verse
  10. Mary Poppins Returns
  11. Avengers: Infinity War
  12. Incredibles 2
  13. Can You Ever Forgive Me?
  14. Capernaum
  15. A Quiet Place
  16. Stan & Ollie
  17. Shoplifters
  18. Paddington 2
  19. Fantastic Beasts: The Crimes of Grindelwald
  20. The Other Side of the Wind

This is the best Top 5 in five years but it’s the best Top 6 since 2006.  In fact, BlackKklansman is the best #6 film since 2005 and one of the best ever.  It’s the best Top 10 since 2007. (more…)

Since the character of Garrett doesn’t even exist in the novel, this scene clearly isn’t in the novel.

My Top 10

  1. Terms of Endearment
  2. Betrayal
  3. Educating Rita
  4. The Right Stuff
  5. The Year of Living Dangerously
  6. The Dresser
  7. Reuben Reuben
  8. Star Wars Episode VI: Return of the Jedi

note:  That’s it.  Just eight films.  And there’s really a big drop-off after the Top 5.  Actually, there’s really kind of a drop-off after the Top 3.

(more…)

The best ending of the year in the best film of the year.

My Top 20:

  1. Lady Bird
  2. Dunkirk
  3. The Shape of Water
  4. The Post
  5. Coco
  6. Darkest Hour
  7. Star Wars Episode VIII: The Last Jedi
  8. Phantom Thread
  9. I, Tonya
  10. It: Chapter One
  11. Get Out
  12. Call Me By Your Name
  13. T2 Trainspotting
  14. Beauty and the Beast
  15. Wonder Woman
  16. The Greatest Showman
  17. Spider-Man: Homecoming
  18. Blade Runner 2049
  19. The Big Sick
  20. Okja

note:  The first 15 films are ****.  There are a few awards films I haven’t seen yet that are all mentioned below. (more…)

If we kept watching, would it keep spinning? And would it matter?

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Inception  *
  2. The Social Network  **
  3. True Grit  *
  4. The King’s Speech  *
  5. The Ghost Writer
  6. Winter’s Bone  *
  7. Harry Potter and the Deathly Hallows Part I
  8. Black Swan  *
  9. Toy Story 3  *
  10. The Town
  11. Biutiful
  12. Another Year
  13. The Kids are All Right  *
  14. Tangled
  15. Shutter Island
  16. Never Let Me Go
  17. Rabbit Hole
  18. Blue Valentine
  19. Green Zone
  20. Somewhere

Analysis:  This is one of those rare years where I have changed my original Best Picture winner.  It’s not that Social Network went down at all, but that Inception went up.  And, really, it’s a pretty close finish between the two.
The Social Network ties LA Confidential for the most Consensus noms ever (11) and no film since (through 2016) has had more wins (8) or points (845) though both are fewer than The Hurt Locker in the year before.
With seven nominees in my Top 10, the Oscar Score is 87.7, by far the highest in any year with more than five nominees (and the third highest ever irregardless of the number of nominees).
(more…)

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 15 in the categories but only the top 5 earn Nighthawk nominations.  I’m only going with the Top 15 because there are 15 **** films and several categories don’t even get that far.  It’s a weak year all around.

Nighthawk Awards:

  • Best Picture
  1. Inglourious Basterds  *
  2. The Hurt Locker  **
  3. A Serious Man  *
  4. Up  *
  5. Broken Embraces
  6. An Education  *
  7. Harry Potter and the Half-Blood Prince
  8. Up in the Air  *
  9. A Single Man
  10. District 9  *
  11. The White Ribbon
  12. The Informant
  13. Sin Nombre
  14. Coraline
  15. Revanche

Analysis:  As mentioned above, I went with 15 films because that’s how many **** films there are in this year.  That the Oscars nominated seven of them (as well as my #16 film, Precious) speaks well of their first year with 10 nominees in 66 years. (more…)

Best traffic jam ever.

My Top 20:

  1. La La Land
  2. Arrival
  3. The Handmaiden
  4. Manchester by the Sea
  5. Moonlight
  6. Silence
  7. Rogue One: A Star Wars Story
  8. Fantastic Beasts and Where to Find Them
  9. Zootopia
  10. Moana
  11. Finding Dory
  12. The Salesman
  13. Nocturnal Animals
  14. Fences
  15. Hell or High Water
  16. Julieta
  17. Kubo and the Two Strings
  18. A Monster Calls
  19. 20th Century Women
  20. Sing Street

note:  All 20 films are ****.  There were several high ***.5 films that I wish could have made the list – Captain America: Civil War, Hunt for the Wilderpeople, Hail Caesar! and Passengers were among my considered choices.  There are only a handful of films that earned any award nominations that I haven’t seen yet (I Daniel Blake, Certain Woman, Allied, Your Name, King’s Choice) so I don’t think this list will be changing (depending on Your Name, perhaps), unlike the last several years, when this list was written more closely after the Oscars. (more…)