“To speak out boldly at once, she was in love, according to the present universally received sense of that phrase, by which love is applied indiscriminately to the desirable objects of all our passions, appetites, and sense, and is understood to be that preference which we give to one kind of food rather than to another.” (p 420)

My Top 10:

  1. Tom Jones
  2. Shoot the Piano Player
  3. White Nights
  4. Hud
  5. The Great Escape
  6. The Leopard
  7. Captain Newman, M.D.
  8. Sundays and Cybele
  9. Irma La Douce
  10. Charade

Note:  There are 14 films on my list.  The other four are all listed towards the bottom of the post. (more…)

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“The trick, William Potter, is not minding that it hurts.” That line is nowhere in the book but neither is almost any other line of dialogue in the film.

My Top 10:

  1. Lawrence of Arabia
  2. To Kill a Mockingbird
  3. Jules and Jim
  4. The Manchurian Candidate
  5. Throne of Blood
  6. Lolita
  7. Billy Budd
  8. The Music Man
  9. Sweet Bird of Youth
  10. The Man Who Shot Liberty Valance

Note:  There are 20 films on my list.  Only one of the other ten is reviewed: #12 – The Miracle Worker while the rest are listed down towards the bottom. (more…)

This is not gonna end well for anyone at the table.

This is not gonna end well for anyone at the table.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Alien
  2. Apocalypse Now  *
  3. All That Jazz
  4. Manhattan  *
  5. Picnic at Hanging Rock
  6. Being There
  7. Kramer vs. Kramer  **
  8. Breaking Away  *
  9. Love on the Run
  10. The Muppet Movie

Analysis:  Manhattan not only earns a Consensus nom but has the most Consensus points for any film to-date other than Day for Night to fail to earn an Oscar nomination (it won the BAFTA and NBR and earned a Globe nom).  It would be another 13 years before another film had more points without an Oscar nom (The Player) and it’s still tied for 8th most all-time.  All That Jazz is an oddity – the only film between 1974 and 1988 to earn an Oscar nom without any other Picture noms, but at least the Academy got that one right.
This is really a great group, especially the top 7.  The Top 10 is the 7th best to this date.  The first nine films are all **** and the #10 is a very high ***.5.  Actually, the list continues with three very high ***.5 (Life of Brian, Nosferatu, And Justice for All). (more…)

chinatown

You know, to be farm land, you need something. Let me think. Oh yeah. Water!

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Chinatown  *
  2. The Godfather Part II  *
  3. Day for Night  **
  4. Scenes from a Marriage  *
  5. The Conversation  *
  6. Badlands
  7. Young Frankenstein
  8. Blazing Saddles
  9. Lenny
  10. The Parallax View

(more…)

Suicide is painless indeed.

Suicide is painless indeed.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 7 in the categories but only the top 5 earn Nighthawk nominations.  Why am I only listing the Top 7 when I’ve been listing the Top 10 for quite a while now?  Well, how should I put this?  This is a TERRIBLE YEAR FOR FILM.

Nighthawk Awards:

  • Best Picture
  1. M*A*S*H  **
  2. Five Easy Pieces  *
  3. Patton  *
  4. The Twelve Chairs
  5. Women in Love
  6. Mississippi Mermaid
  7. Lovers and Other Strangers

Analysis:  How terrible a year in film?  Well, there are only three **** films.  It’s the first year since 1930 that there have been less than four.  Patton is also the weakest #3 film since 1930.  Five Easy Pieces is the weakest #2 film since 1945.  In the 1960’s M*A*S*H would have won the award in several years; Five Easy Pieces would have only been nominated in three years.  In the 1950’s, M*A*S*H would only have won the award in two years and Patton would have never finished higher than sixth.  Both the Top 5 and the Top 10 are the weakest since 1945. (more…)

wild-bunch-2You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Wild Bunch
  2. Chimes at Midnight
  3. Butch Cassidy and the Sundance Kid  *
  4. Z  **
  5. Once Upon a Time in the West
  6. Oh! What a Lovely War!
  7. Midnight Cowboy  *
  8. Stolen Kisses
  9. They Shoot Horses Don’t They  *
  10. Shame

Analysis:  A truly great top 5, including three of the greatest Westerns ever made.  This is the best Top 5 since 1946 and the second best to date.  The Top 10 is strong as well – the best since 1962 and tied for the third best to date.  They are all **** films, but there is a four point drop from #6 to #7. (more…)

Death arrives out of the seemingly endless desert.

Death arrives out of the seemingly endless desert.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Lawrence of Arabia  **
  2. To Kill a Mockingbird  *
  3. Throne of Blood
  4. The Music Man  *
  5. Jules and Jim
  6. The Man Who Shot Liberty Valance
  7. Through a Glass Darkly
  8. Ride the High Country
  9. The Manchurian Candidate
  10. Last Year at Marienbad

Analysis:  There’s a big drop here after #9 – it drops from a mid-range **** to a high-level ***.5.  This year ties 1960 as having the best Top 9 to date.  Ride the High Country and The Manchurian Candidate really match up with Tunes of Glory and The Hidden Fortress as the best #8 and #9 films to date.  I re-watched Jules and Jim before doing these awards and ended up bumping it up in a few categories, most notably Picture and Director, which ended up costing The Man Who Shot Liberty Valance its only two Nighthawk nominations.  But in years like this, it’s hard to just pick five films at the top.
(more…)