Screen Shot 2021-01-13 at 3.20.46 PMThe ongoing countdown of my Top 1000 films through 2011, covering the first century of film.  The film listed below are all 89 (low ****) until The Gunfighter after which they are 90 (low ****).  The TSPDT rankings starting with this post are from the 2021 list.  The introduction can be found here. (more…)

This is the next batch of 50 films counting down my Top 1000 Films of All-Time.  Once again, they all earn an 86, which is high ***.5.  I recommend reading the introduction first.  The first batch of 50 were here. (more…)

“So I said, I love him and I’ll do anything if you make him alive. I said very slowly, I’ll give him up for ever, only let him be alive with a chance, and I pressed and pressed and I could feel the skin break, and I said, People can love without seeing each other, can’t they they, they love You all their lives without seeing You, and then he came in at the door, and he was alive, and I thought now the agony of being without him starts, and I wished he was safely back dead again under the door.” (p 95)

My Top 10

  1. The End of the Affair
  2. Eyes Wide Shut
  3. Toy Story 2
  4. The Talented Mr. Ripley
  5. The Insider
  6. Election
  7. Metroland
  8. Felicia’s Journey
  9. My Son the Fanatic
  10. The Cider House Rules

note:  A solid Top 5 but not so much for the Top 10.  But of course that’s balanced, as if often is, by a truly incredible original group of original scripts (American Beauty, Magnolia, Being John Malkovich, Three Kings, Topsy Turvy, Sixth Sense, Sweet and Lowdown, Following, Run Lola Run, Princess Mononoke, Abre Los Ojos).  This list is a bit different from the Nighthawk Awards because I saw Metroland since then and Fight Club dropped a bit when I re-watched it for the project – I still reviewed it because I had already gone through the effort of writing it, so it’s down at the bottom.  The rest of my list is shorter than usual and Fight Club (#11) is reviewed below as are my #16 (An Ideal Husband) and #17 (October Sky) because of award nominations. (more…)

“He didn’t move.  Not until the elevator door began to close.  Then raised his hand.  He did – Karen positive now it was Foley – raised his hand to her as the door closed.”  (p 148)

My Top 10

  1. Out of Sight
  2. Gods and Monsters
  3. Primary Colors
  4. Fear and Loathing in Las Vegas
  5. Ringu
  6. Live Flesh
  7. A Simple Plan
  8. The Butcher Boy
  9. Character
  10. Apt Pupil

note:  A very strong Top 4 but then it starts to fall off badly.  The full list is long, though, and is listed down at the bottom except for my #16 (Little Voice) which is reviewed because of its BAFTA nomination. (more…)

“And now all that is over, and that’s the hardest part.  Today everything is very different.  No more action.  I have to wait around like everyone else.  I’m an average nobody.  I get to live the rest of my life like a schnook.”  (p 284)

My Top 10

  1. GoodFellas
  2. The Grifters
  3. Dances with Wolves
  4. Presumed Innocent
  5. The Hunt for Red October
  6. Reversal of Fortune
  7. White Hunter Black Heart
  8. Misery
  9. Mr. & Mrs. Bridge
  10. Awakenings

note:  Once you get past the top two, it’s not nearly as strong as 1989 but it would hard to be that good.  There is, however, a large number of films on my list outside of the Top 10 (barely making the list but making it nonetheless) which are all listed down at the bottom.

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“George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.” (p 66)

My Top 10

  1. A Room with a View
  2. Stand by Me
  3. The Color of Money
  4. Star Trek IV: The Voyage Home
  5. Little Shop of Horrors
  6. Children of a Lesser God
  7. Manhunter
  8. Crimes of the Heart
  9. Aliens
  10. The Name of the Rose

note:  A big drop after the first two – this year is much stronger in Original (Hannah and Her Sisters, My Beautiful Laundrette, Mona Lisa, Platoon, Blue Velvet) than Adapted.

(more…)

A Century of Film


Horror


The Genre

What is a Horror film?  And what would have qualified at the beginning of film?  Kim Newman and James Marriott correctly point out in their great book Horror! The Definitive Companion to the Most Terrifying Movies Ever Made, that as cinema was beginning, so was Horror as a genre, with works like Dr. Jekyll and Mr. Hyde and Dracula.  The first “official” Horror film is The Devil’s Castle, a two minute film from 1896.  Frankenstein was filmed as early as 1910 (a 12 minute film which was just recently restored) and Jekyll even before that in 1908.  The Avenging Conscience, a Griffith film based on works of Poe, is one of the earliest American feature-length films, running 78 minutes. (more…)

“Deep Throat moved closer to Woodward. ‘Let me explain something,’ he said. ‘When you move on someone like Haldeman, you’ve got to be sure you’re on the most solid ground. Shit, what a royal screw-up!'” (p 220)

My Top 10:

  1. All the President’s Men
  2. Solyaris
  3. Carrie
  4. Voyage of the Damned
  5. The Outlaw Josey Wales
  6. The Shootist
  7. Marathon Man
  8. The Last Tycoon
  9. The Bingo Long Traveling All-Stars and Motor Kings
  10. The Seven-Per-Cent Solution

Note:  There has been a change since my Nighthawk Awards, with The Shootist moving up into the Top 10.  If it seems like a big leap, that’s because #6-10 aren’t all that strong and in a good year many of them wouldn’t make the list.  The only two films on my list that aren’t in the Top 10 are both reviewed below because of nominations: Bound for Glory and Family Plot. (more…)

nobody, not even the rain, has such small hands

nobody, not even the rain, has such small hands

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Hannah and Her Sisters  **
  2. Platoon  *
  3. A Room with a View  *
  4. Stand by Me
  5. Blue Velvet  *
  6. Mona Lisa
  7. My Beautiful Laundrette
  8. Aliens
  9. Decline of the American Empire
  10. Star Trek IV: The Voyage Home

(more…)