A Century of Film: The Top 1000 Films (#400-351)

This is part something of this, I’ve lost track.  But you can find the original introduction here and by going here you can find all the other parts.  All of these films earn a 93 on a 100 point scale except The Commitments which is a 94 (which is a high **** while the rest are mid ****). The picture above wasn’t the easiest to decide on this time – I originally had Michael Caine images from three different films (in three different decades), there are two films with the same director and two stars, I could have gone with a different McKellen pic on the left to go with the one on the right or I could have done the other McKellen pic with another actor in the same role.

 

Best Adapted Screenplay: 2009

The most memorable moment in the film – described in the book but not with dialogue.

My Top 10

1. An Education
2. Up in the Air
3. A Single Man
4. Harry Potter and the Half-Blood Prince
5. The Informant
6. Precious
7. District 9
8. Coraline
9. Fantastic Mr. Fox
10. The Damned United

note:  Not the strongest Top 5 and a fairly weak second 5.  But it had a lot of solid scripts (good enough to make the list) so there’s a more sizable continuation down at the bottom.

 

Century of Film: The Top 1000 Films (#900-851)

This is the next batch of 50 films counting down my Top 1000 Films of All-Time.  The films down through Footlight Parade all earn an 86 while the rest of them earn an 87, which is high ***.5.  I recommend reading the introduction first.  For the previous installments, click on the Top 1000 among the tags at the top of the post.

 

A Century of Film: The Top 1000 Films (#1000-951)

This is the start of my Top 1000 Countdown, the 1000 best films made in the first Century of Film (1912-2011).  A reminder that the introduction should probably be looked at first and will answer any questions about abbreviations.

Every film in this group of 50 earns an 86, which is high ***.5.

 

Best Adapted Screenplay: 1996

“Then Renton was hit by a wave of shock which threatened to knock him incoherent.  A girl came into the room.  As he watched her, a coldness came over him.  She was the double of Dianne, but this girl looked barely secondary school age.  It took him a few seconds to realize that it was Dianne.”  (p 145)

My Top 10

1. Trainspotting
2. The English Patient
3. The Crucible
4. Cold Comfort Farm
5. Emma
6. Hamlet
7. The Birdcage
8. Romeo + Juliet
9. Mother Night
10. Star Trek: First Contact

note:  A fantastic Top 5 and a strong Top 10 with a few more listed down at the bottom.  A rare year in that it’s also fantastic for Original Screenplay.  This year has the highest average score for the two Screenplay awards in history.

 

A Century of Film: Sci-Fi

A Century of Film

Sci-Fi

The Genre

Science Fiction on film goes back to the dawn of narrative feature film storytelling.  The first great film, A Trip to the Moon, was a Sci-Fi film complete with state of the art special effects.  But not everyone could be George Méliès and not very many people tried.  I’ve only seen three Sci-Fi films made before the advent of sound (and there’s not much out there at feature length that I haven’t seen) and all of them were foreign (A Trip to Mars, Aelita: Queen of Mars, Metropolis).

The genre mostly lay dormant in the 1930’s and 1940’s.  If you click on those links, the vast majority of what is listed there (and even what is listed there isn’t very long) is either a serial (which I don’t count) or something I list as another genre (often Horror).  I’ve seen just 11 films from those two decades which I count (and none after 1941).  Then came the 50’s.

 

Best Adapted Screenplay: 1986

“George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.” (p 66)

My Top 10

1. A Room with a View
2. Stand by Me
3. The Color of Money
4. Star Trek IV: The Voyage Home
5. Little Shop of Horrors
6. Children of a Lesser God
7. Manhunter
8. Crimes of the Heart
9. Aliens
10. The Name of the Rose

note:  A big drop after the first two – this year is much stronger in Original (Hannah and Her Sisters, My Beautiful Laundrette, Mona Lisa, Platoon, Blue Velvet) than Adapted.

 

Best Adapted Screenplay: 1982

” ‘Mama!” She heard Eva’s thin but soaring cry at the instant that she thrust the child away from her and rose from the concrete with a clumsy stumbling motion. ‘Take the baby!’ she called out. ‘Take my little girl!'” (p 590)

My Top 10

1. Sophie’s Choice
2. The Verdict
3. Missing
4. Das Boot
5. Star Trek II: The Wrath of Khan
6. Fast Times at Ridgemont High
7. Victor/Victoria
8. Three Brothers
9. Blade Runner
10. The World According to Garp

 

The Nighthawk Awards: 2009

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 15 in the categories but only the top 5 earn Nighthawk nominations.  I’m only going with the Top 15 because there are 15 **** films and several categories don’t even get that far.  It’s a weak year all around.

Nighthawk Awards:

• Best Picture

1. Inglourious Basterds  *
2. The Hurt Locker  **
3. A Serious Man  *
4. Up  *
5. Broken Embraces
6. An Education  *
7. Harry Potter and the Half-Blood Prince
8. Up in the Air  *
9. A Single Man
10. District 9  *
11. The White Ribbon
12. The Informant
13. Sin Nombre
14. Coraline
15. Revanche

Analysis:  As mentioned above, I went with 15 films because that’s how many **** films there are in this year.  That the Oscars nominated seven of them (as well as my #16 film, Precious) speaks well of their first year with 10 nominees in 66 years.

 

My Top 100 Favorite Films

I have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down.