" 'My God,' the Colonel suddenly yelled, 'the bridge has been mined, Colonel Saito. Those damn things I saw against the piles were explosives! And this wire . . .' " (p 174)

” ‘My God,’ the Colonel suddenly yelled, ‘the bridge has been mined, Colonel Saito. Those damn things I saw against the piles were explosives! And this wire . . .’ ” (p 174)

My Top 10:

  1. The Bridge on the River Kwai
  2. Paths of Glory
  3. Sweet Smell of Success
  4. 12 Angry Men
  5. Witness for the Prosecution
  6. Rififi
  7. The Good Soldier Schweik
  8. A Face in the Crowd
  9. A Hatful of Rain
  10. Heaven Knows Mr Allison

Note:  There are 12 films on my list.  The last two are listed down at the bottom. (more…)

The desperation and tragedy of love in Sophie's Choice.

The desperation and tragedy of love in Sophie’s Choice.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Sophie’s Choice
  2. The Verdict  *
  3. Das Boot
  4. Tootsie  *
  5. Star Trek II: The Wrath of Khan
  6. Missing  *
  7. E.T.  *
  8. The Long Good Friday
  9. Diner
  10. Fitzcarraldo

Analysis:  There are nine **** films and then a three point drop to a high-level ***.5, followed by another couple of high-level ***.5 films, My Favorite Year and Blade Runner.  Yes, that means I have Blade Runner as the third-ranked Sci-Fi film of the year, which for many will be blasphemy. (more…)

These are actually all of Katharine Graham's men. But they're gonna take down the president's men.

These are actually all of Katharine Graham’s men. But they’re gonna take down the president’s men.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. All the President’s Men  **
  2. Network  *
  3. Taxi Driver  *
  4. Solyaris
  5. Carrie
  6. Face to Face
  7. The Outlaw Josey Wales
  8. The Mystery of Kaspar Hauser
  9. Ali: Fear Eats the Soul
  10. Seven Beauties

(more…)

That's the look of a man who has just realized he's gonna need a bigger boat.

That’s the look of a man who has just realized he’s gonna need a bigger boat.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Jaws  *
  2. Dog Day Afternoon  *
  3. One Flew Over the Cuckoo’s Nest  **
  4. Monty Python and the Holy Grail
  5. The Man Who Would Be King
  6. Amarcord
  7. Barry Lyndon  *
  8. Shampoo
  9. Three Days of the Condor
  10. The Sunshine Boys

(more…)

“Red represents for me the interior of the soul” – Ingmar Bergman

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Cries and Whispers  **
  2. Mean Streets
  3. The Exorcist  *
  4. American Graffiti  *
  5. The Sting  *
  6. Serpico
  7. Last Tango in Paris
  8. Don’t Look Now
  9. The Day of the Jackal  *
  10. The Friends of Eddie Coyle

(more…)

Ironically, the big star of 1965 (Julie Christie) would not be that great in the best film of 1965.

Ironically, the big star of 1965 (Julie Christie) would not be that great in the best film of 1965.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Doctor Zhivago  *
  2. Repulsion
  3. The Pawnbroker
  4. Drunken Angel
  5. The Collector
  6. Darling  **
  7. The Spy Who Came in From the Cold
  8. King Rat
  9. The Umbrellas of Cherbourg
  10. Thunderball

(more…)

I though it would be nicer to just include the three Top 25 directors rather than explain that Lucas didn't get that high.  If you need these people identified you are at the wrong website.

I though it would be nicer to just include the version of the picture with three Top 25 directors rather than explain that Lucas didn’t get that high. If you need these people identified you are at the wrong website.

This is the final ranked list of those directors who have been nominated for Best Director by the Academy of Motion Pictures Arts and Sciences.  This is part 9 of the series.  As always, you can find the previous eight posts in this series by going here.  There is also an introduction here, which explains the scope of the project as well as my scoring system.  I have made certain to finish this now for two reasons.  The first is that I wanted to get it done before another Oscar season begins and I had to add somebody (Alfonso Cuarón, perhaps?).  The second is because I intend to do a Top 100 Directors 3.0 list before too long and I wanted this out of the way; that list, originally intended for this month, will probably be pushed back into at least winter, if not early spring in order to get this year’s batch of late films from Top 100 directors watched (e.g. Inside Llewyn Davis, Wolf of Wall Street, The Hobbit, Captain Phillips, Gravity).

One thing to bear in mind about the top of the list.  On my point scale, there is only a 75 point difference between the #1 and #8 spots.  There is then a 58 point difference between #8 and #9, and an 83 point difference between #8 and #11.  So, if the director you really want to champion is among that top 7, that’s the elite of the elite. (more…)