swI have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down. (more…)

Not exactly a "meet cute". More of a "meet dirty, smelly and cramped".

Not exactly a “meet cute”. More of a “meet dirty, smelly and cramped”.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Out of Sight  *
  2. Shakespeare in Love  *
  3. Saving Private Ryan  **
  4. The Big Lebowski
  5. Gods and Monsters  *
  6. The Truman Show
  7. Ringu
  8. Pleasantville
  9. Insomnia
  10. Fear and Loathing in Las Vegas

Analysis:  Only the top 9 are ****.  As is discussed down below, this is not a strong year for great films but it is a very strong year for very good films.
With Out of Sight (NSFC, BSFC wins, BFCA nom) and Gods and Monsters (NBR win, Globe, PGA, BFCA noms) in instead of The Thin Red Line and Life is Beautiful, the Consensus nominees are a lot better than the Oscar nominees.
Out of Sight is a great film, but let’s be fair.  It would have finished 6th in 1996 and fifth in 1997.  The most recent year where it even would have finished second is 1988.  In spite of that, this Top 5 is one point better than 1995. (more…)

The ending of The Killing isn't in the original novel at all.

The ending of The Killing isn’t in the original novel at all.  But damn is it brilliant.

My Top 10:

  1. The Killing
  2. Baby Doll
  3. Diabolique
  4. The Trouble with Harry
  5. The Searchers
  6. Richard III
  7. Anastasia
  8. Invasion of the Body Snatchers
  9. Written on the Wind
  10. Wuthering Heights

Note:  The list once again exceeds 10; the rest of the list is down at the bottom except my #11 (Lust for Life), which is reviewed as an Oscar nominee. (more…)

Probably my mother's favorite movie, at least in part because Chris Cooper actually plays the hero.

Probably my mother’s favorite movie, at least in part because Chris Cooper actually plays the hero.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Lone Star
  2. Trainspotting
  3. The English Patient
  4. Fargo
  5. Hamlet
  6. Secrets & Lies
  7. Jerry Maguire
  8. In the Bleak Midwinter
  9. Cold Comfort Farm
  10. The Crucible
  11. Romeo + Juliet
  12. Emma

Analysis:  There are a lot of years that have a better #1 film than Lone Star.  But not many have a better #2 than Trainspotting.  Even fewer have a better #3 than The English Patient.  The Top three films are tied with several others years for third best to-date (behind 1946 and 1950).  But Fargo is the best #4 film to-date (actually, it’s almost certainly the best #4 film ever).  And only a handful of years have a #5 film as good as Hamlet.  As a result, this year is tied with 1946 for the best Top 4 to-date and Top 5 to-date (and, probably, all-time).  There is a three point drop after that, so it’s only the second best Top 6, then another two point drop.  But, because all 10 films are ****, it is in the 6th best Top 10 to-date, behind only 1989, 1960, 1994, 1962 and 1991.
One thing I must make mention of here.  I don’t count documentaries, as I have mentioned in the past.  That is particularly relevant in this year, a year in which I actually went to see two documentaries in the theater (The Celluloid Closet, Looking for Richard) and there are a couple of others which are phenomenal (When We Were Kings, Paradise Lost).  I went with 12 films because this is my whole list of **** films.
Two of these films rank among the films I have watched the most over the last 20 years (Trainspotting, In the Bleak Midwinter). (more…)

A trio of Austen sisters brought to life with magnificence and humor.

A trio of Austen sisters brought to life with grace and humor.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Sense and Sensibility  **
  2. The Usual Suspects
  3. Richard III
  4. Les Miserables
  5. 12 Monkeys
  6. Leaving Las Vegas  *
  7. To Die For
  8. Toy Story
  9. Clockers
  10. Mina Tannenbaum

(more…)

Oskar Schindler watches in horror the liquidation of the Krakow ghetto.

Oskar Schindler watches, in horror, the liquidation of the Krakow ghetto.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Schindler’s List  **
  2. The Age of Innocence
  3. In the Name of the Father  *
  4. Much Ado About Nothing
  5. A Perfect World
  6. The Remains of the Day  *
  7. My Neighbor Totoro
  8. Nightmare Before Christmas
  9. Three Colors: Blue
  10. Shadowlands
  11. In the Line of Fire
  12. Menace II Society

Analysis:  Schindler’s List crushes all previous Consensus records.  It sweeps the six major critics awards (a first) and wins all 10 awards.  While its total nominations have been beaten, the two other films which would sweep the critics awards (L.A. Confidential, The Social Network) would lose the Oscar and PGA and still fall short of the 10 wins for Schindler.  It still holds the Consensus record for points and it earns 49.19% of all the points, while no other post-1947 film has earned over 40%.  Even with the addition of the BFCA and the expansion of the guilds, only one film has managed to earn more total awards points in the years since (The Social Network).  Schindler’s List, even without the BFCA is still 9th all-time in total awards nominations and 2nd in wins (behind only Sideways).  It is still 5th all-time in total critics points.
It kills me to have to pick between Schindler and The Age of Innocence.  This is the second year in a row where the top two films have the same score.  The Age of Innocence is the best #2 in this category since Annie Hall.
This list has all twelve of the **** films for the year. (more…)

The poignant, tragic ending of Glory - my #1 film of 1989 since the day I saw it in the theater.

The poignant, tragic ending of Glory – my #1 film of 1989 since the day I saw it in the theater.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Glory
  2. Field of Dreams
  3. Henry V
  4. Born on the Fourth of July
  5. When Harry Met Sally
  6. Say Anything
  7. Crimes and Misdemeanors  *
  8. The Little Mermaid
  9. Do the Right Thing  *
  10. My Left Foot  *
  11. Dead Poets Society  *
  12. Heathers

Analysis:  This is my favorite year in film history, partially because it was the year when I first became seriously interested in film, but also because it’s such a damn good year.  It’s not a coincidence that I own eight of these top 12 films (plus several more farther down the list – Batman, Indiana Jones and the Last Crusade, The Adventures of Baron Munchausen).  The Top 5 is tied with several other years for third best to-date.  But things stay strong outside the Top 5.  This year is tied for the third best to-date for the Top 6, is the second best for the Top 7, and then is the best to-date for the Top 8 on down.  The average of the Top 10 is 94.8, which is higher than the Top 5 average for the year before.  The Little Mermaid is the best #8 film to-date while Crimes is the best #7 film since 1946.  Though, that didn’t translate at the Oscars where they nominated and even gave the Oscar to Driving Miss Daisy (though they made very strong choices with the other four).
Yes, that’s right, Born on the Fourth of July didn’t even earn a Consensus nom for Best Picture.  It came in sixth, mainly because the critics were so divided (six awards split among five films, with only Do the Right Thing winning multiple awards) and the BAFTA going to Dead Poets Society.  That makes this the only year after 1933 in which none of my top 5 are Consensus nominees.  With Driving Miss Daisy easily winning the Consensus (Oscar, NBR, Globe – Comedy, PGA wins, BAFTA nom), it is the last winner until 2000 to fail to make my Top 10. (more…)