A Century of Film
Crime Films

The Genre:

There seems to be an idea that Gangster Films and Crime Films are interchangeable.  But to me, a Crime film is more than just a Gangster Film and the latter is just a sub-genre of the former.  The Rough Guide to Gangster Movies kind of sums up the idea right away even if they are just talking about Gangster films and not Crime films:

“Every book about gangster movies has to have a working definition of what a gangster movie actually is.  And each will disagree with the other.  For the purposes of the Rough Guide to Gangster Movies, it is one in which the gangster is the protagonist, not the supporting player or bête noir of the long-suffering cop hero.” (p 3) (more…)

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And Marty tallies yet another Nighthawk Award.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Hugo  *
  2. The Artist  **
  3. Tinker Tailer Soldier Spy
  4. Midnight in Paris  *
  5. The Descendants  *
  6. Harry Potter and the Deathly Hallows Part II
  7. A Separation
  8. The Adventures of Tintin: The Secret of the Unicorn
  9. The Tree of Life
  10. My Week with Marilyn
  11. The Ides of March
  12. Contagion
  13. Beginners
  14. Incendies
  15. Jane Eyre
  16. The Girl with the Dragon Tattoo
  17. Rango
  18. Margin Call
  19. As If I Am Not There
  20. Moneyball  *

Analysis:  The first 15 films are ****.  The rest are ***.5.  In spite of an overall weak year (see various categories below), the Top 5 tracks almost exactly along with 2009.  In fact, the first four films here all earn the exact same ratings as the first four in 2009 and The Descendants is one point better than Broken Embraces in the #5 spot, so this year’s Top 5 is actually one point better.  That said, it’s still the second weakest Top 5 since 1998 (and the same goes for the Top 10 and Top 20).
The Help was actually 4th in the Consensus.  There are 5 films because Midnight in Paris and Moneyball tied for 5th (as did War Horse). (more…)

If we kept watching, would it keep spinning? And would it matter?

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Inception  *
  2. The Social Network  **
  3. True Grit  *
  4. The King’s Speech  *
  5. The Ghost Writer
  6. Winter’s Bone  *
  7. Harry Potter and the Deathly Hallows Part I
  8. Black Swan  *
  9. Toy Story 3  *
  10. The Town
  11. Biutiful
  12. Another Year
  13. The Kids are All Right  *
  14. Tangled
  15. Shutter Island
  16. Never Let Me Go
  17. Rabbit Hole
  18. Blue Valentine
  19. Green Zone
  20. Somewhere

Analysis:  This is one of those rare years where I have changed my original Best Picture winner.  It’s not that Social Network went down at all, but that Inception went up.  And, really, it’s a pretty close finish between the two.
The Social Network ties LA Confidential for the most Consensus noms ever (11) and no film since (through 2016) has had more wins (8) or points (845) though both are fewer than The Hurt Locker in the year before.
With seven nominees in my Top 10, the Oscar Score is 87.7, by far the highest in any year with more than five nominees (and the third highest ever irregardless of the number of nominees).
(more…)

You definitely don’t want to be the other guy.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Departed  **
  2. Pan’s Labyrinth
  3. Children of Men
  4. The Fountain
  5. The Queen  *
  6. The Prestige
  7. Casino Royale
  8. United 93
  9. Army of Shadows
  10. Perfume – The Story of a Murderer
  11. Volver
  12. The Lives of Others
  13. Tristram Shandy: A Cock and Bull Story
  14. Stranger than Fiction
  15. The Painted Veil
  16. Brick
  17. Sophie Scholl – The Final Days
  18. Blood Diamond
  19. Babel  *
  20. Joyeux Noel

Analysis:  The Departed has the lowest Consensus total in five years but that doesn’t mean it’s a competitive race.  It just means that there was a lack of consensus, with a record eight different films winning a Best Picture award (1974 is the only other year with more than six and that was because different eligibility years lead to three films winning the BAFTA).  The Departed wins the Oscar, BFCA, LAFC and CFC while Letters from Iwo Jima wins the LAFC, NBR and the Globe for Best Foreign Film.  The other award winners are The Queen (BAFTA), Little Miss Sunshine (PGA), Babel (Globe – Drama), Dreamgirls (Globe – Comedy / Musical), United 93 (NYFC) and Pan’s Labyrinth (NSFC).  Every Consensus winner after this (through 2016) will score at least 585 points (The Departed has 485) and every year will have at least one film that wins five awards. (more…)

The DiCaprio side of the DiCaprio-Scorsese collaborations takes a quantum leap.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Aviator  *
  2. A Very Long Engagement
  3. Sideways  **
  4. Eternal Sunshine of the Spotless Mind  *
  5. Harry Potter and the Prisoner of Azkaban
  6. House of Flying Daggers
  7. Closer
  8. The Incredibles
  9. Kill Bill Volume 2
  10. Silver City
  11. Hero
  12. Hotel Rwanda
  13. Million Dollar Baby  *
  14. Spider-Man 2
  15. Kinsey
  16. Bad Education
  17. Finding Neverland  *
  18. Vera Drake
  19. Shrek 2
  20. Mar Adentro

Analysis:  Ray and Eternal Sunshine actually tied for the 5th Consensus nominee spot.  Million Dollar Baby, with a third place finish, is the first Oscar winner not to be #1 or #2 at the Consensus Awards since 1995, and no film has finished below 2nd since (through 2016).
All 20 of these films are **** and there are no other **** films.  It’s a magnificent Top 10 and the third best Top 20 to-date. (more…)

The best film in what is one of the best years in film history.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Lord of the Rings: The Two Towers  *
  2. Gangs of New York  *
  3. Spirited Away
  4. Talk to Her
  5. The Pianist  **
  6. The Hours  *
  7. Minority Report
  8. Y tu mamá también
  9. Chicago  *
  10. Adaptation
  11. Road to Perdition
  12. Solaris
  13. The Quiet American
  14. Catch Me if You Can
  15. 8 Women
  16. Heaven
  17. Lilo and Stitch
  18. 24 Hour Party People
  19. Spider-Man
  20. Sunshine State

Analysis:  This year is a bit of an oddity.  First, for the first time in five years, the five Oscar nominees are also the five Consensus nominees.  But, much more strangely, for the only time after 1965, the Consensus winner (The Pianist) doesn’t have the highest raw total, but its weighted total turns a 20 point deficit to Chicago into a 10 point advantage.  The Pianist has three wins (BAFTA, NSFC, BSFC) among six total noms (Oscar, Globe, BFCA) while Chicago wins four awards (Oscar, Globe, PGA, BFCA) and earns one other nom (BAFTA).  It will be another decade before the second place film is even within 100 points of the 1st place film.  This is also the first time we have two films that go 0 for 5, earning nominations from all five awards groups (Oscar, PGA, BAFTA, Globe, BFCA) and winning none: Gangs of New York and Two Towers.  There won’t be another year with two such films until 2008. (more…)

I will fully admit that L.A. Confidential would be better if it had just ended on this shot and skipped that final scene.

I will fully admit that L.A. Confidential would be better if it had just ended on this shot and skipped that final scene.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. L.A. Confidential  **
  2. Boogie Nights
  3. The Sweet Hereafter
  4. The Ice Storm
  5. Jackie Brown
  6. Amistad
  7. Good Will Hunting  *
  8. Oscar and Lucinda
  9. Grosse Pointe Blank
  10. The Full Monty  *
  11. The Wings of the Dove
  12. Chasing Amy

Analysis:  These are all the **** films of the year.
It’s unfortunate that these films are all in 1997.  If any of my #2-4 were in 1998, they would win the Nighthawk, Boogie Nights especially.  L.A. Confidential is still my winner without question, but Boogie Nights keeps moving higher up my all-time list every time I watch it.  The Wings of the Dove got bumped up to **** when I re-watched it before doing these awards. (more…)