Sorry, Greta. Kathryn Bigelow knows how you feel.  Plus, you made history in other ways.

Well, I only got four categories completely correct in my predictions but they were major ones (Picture, Adapted Screenplay, Actress, Supporting Actress).  Sadly, I didn’t get Director, thinking the Academy would embrace Greta Gerwig’s triumph rather than Todd Phillips’ appalling nihilism (to spare questions in the comments, I think Joker is a bad film for reasons that will eventually be posted in the review, so please don’t ask, but have to do with its quality rather than its idiotic use of the Batman mythos and its wholesale nihilism).  Well, this is the same branch of morons who passed over Christopher Nolan when he did Batman right, Nolan again, Kathryn Bigelow when she won the Consensus and Ben Affleck when he won everything else.  So, let’s bypass the quality of the films for now and move on to the trivia. (more…)

PLEASE READ THE NOTE AT THE BOTTOM ABOUT FUTURE POSTS AND COMMENTING AFTER THE OSCARS

This is starting earlier than ever and there are several people to blame for that.

  • Me.
  • Disney
  • F.T.
  • MUAHSG
  • Comic Book Resources

I’ll get to all of those in a minute.  But I’ll reiterate what I have done the past few years.  This post will go up now and whenever I update it, I will post it “sticky” so that it goes to the top of the blog (though that’s not a repost and I don’t know how that works with notifications).  Anything major that I want to make certain people read (usually having to do with comments or an announcement) I’ll stick in bold at the top.  And a reminder that all comments have to be approved so just sit tight after you post and I’ll get to them (it takes longer on workdays). (more…)

One of the most disturbing scenes in film history and it’s not in the book at all.

My Top 10

  1. Schindler’s List
  2. The Age of Innocence
  3. The Remains of the Day
  4. In the Name of the Father
  5. Shadowlands
  6. The Snapper
  7. Much Ado About Nothing
  8. Short Cuts
  9. Like Water for Chocolate
  10. What’s Eating Gilbert Grape

note:  A very strong Top 5 and Top 10.  There are several more movies on my list at the bottom though The Fugitive (#13) and Strictly Ballroom (#17) aren’t included because they’re reviewed below as award nominees. (more…)

“And now all that is over, and that’s the hardest part.  Today everything is very different.  No more action.  I have to wait around like everyone else.  I’m an average nobody.  I get to live the rest of my life like a schnook.”  (p 284)

My Top 10

  1. GoodFellas
  2. The Grifters
  3. Dances with Wolves
  4. Presumed Innocent
  5. The Hunt for Red October
  6. Reversal of Fortune
  7. White Hunter Black Heart
  8. Misery
  9. Mr. & Mrs. Bridge
  10. Awakenings

note:  Once you get past the top two, it’s not nearly as strong as 1989 but it would hard to be that good.  There is, however, a large number of films on my list outside of the Top 10 (barely making the list but making it nonetheless) which are all listed down at the bottom.

(more…)

“George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.” (p 66)

My Top 10

  1. A Room with a View
  2. Stand by Me
  3. The Color of Money
  4. Star Trek IV: The Voyage Home
  5. Little Shop of Horrors
  6. Children of a Lesser God
  7. Manhunter
  8. Crimes of the Heart
  9. Aliens
  10. The Name of the Rose

note:  A big drop after the first two – this year is much stronger in Original (Hannah and Her Sisters, My Beautiful Laundrette, Mona Lisa, Platoon, Blue Velvet) than Adapted.

(more…)

A Century of Film
Crime Films

The Genre:

There seems to be an idea that Gangster Films and Crime Films are interchangeable.  But to me, a Crime film is more than just a Gangster Film and the latter is just a sub-genre of the former.  The Rough Guide to Gangster Movies kind of sums up the idea right away even if they are just talking about Gangster films and not Crime films:

“Every book about gangster movies has to have a working definition of what a gangster movie actually is.  And each will disagree with the other.  For the purposes of the Rough Guide to Gangster Movies, it is one in which the gangster is the protagonist, not the supporting player or bête noir of the long-suffering cop hero.” (p 3) (more…)

And Marty tallies yet another Nighthawk Award.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Hugo  *
  2. The Artist  **
  3. Tinker Tailer Soldier Spy
  4. Midnight in Paris  *
  5. The Descendants  *
  6. Harry Potter and the Deathly Hallows Part II
  7. A Separation
  8. The Adventures of Tintin: The Secret of the Unicorn
  9. The Tree of Life
  10. My Week with Marilyn
  11. The Ides of March
  12. Contagion
  13. Beginners
  14. Incendies
  15. Jane Eyre
  16. The Girl with the Dragon Tattoo
  17. Rango
  18. Margin Call
  19. As If I Am Not There
  20. Moneyball  *

Analysis:  The first 15 films are ****.  The rest are ***.5.  In spite of an overall weak year (see various categories below), the Top 5 tracks almost exactly along with 2009.  In fact, the first four films here all earn the exact same ratings as the first four in 2009 and The Descendants is one point better than Broken Embraces in the #5 spot, so this year’s Top 5 is actually one point better.  That said, it’s still the second weakest Top 5 since 1998 (and the same goes for the Top 10 and Top 20).
The Help was actually 4th in the Consensus.  There are 5 films because Midnight in Paris and Moneyball tied for 5th (as did War Horse). (more…)