Sweeeet.

The 76th annual Academy Awards, for the film year 2003.  The nominations were announced on 27 January 2004 and the awards were held on February 29, 2004.

Best Animated Film:  Finding Nemo

  • The Triplets of Belleville
  • Brother Bear

Most Surprising Omission: Tokyo Godfathers

Best Eligible Film Not Nominated:  Tokyo Godfathers

Rank (out of 16) Among Best Animated Film Years:  #3

Oscar Score:  91.9

Alternate Oscar Score:  73.3 (more…)

And in the morning, I'm making waffles!

And in the morning, I’m making waffles!

The 74th annual Academy Awards for the film year 2001.  The nominations were announced on February 12, 2002 and the awards were held on March 24, 2002.

Best Animated Film:  Shrek

  • Monsters Inc.
  • Jimmy Neutron: Boy Genius

Most Surprising Omission: Waking Life

Best Eligible Film Not Nominated:  n/a

Rank (out of 15) Among Best Best Animated Film Years:  #11

Oscar Score:  100

Alternate Oscar Score:  100

(more…)

Back in 2009, I wrote a series of posts about each of the categories that have awards at the Oscars.  I organized it by category because almost all things written about the Oscars group them by years and never discussed the categories as a whole.  In 2010, I went back to that series and added the 2009 nominees to the original posts (you can find that original post here, but this post supersedes everything in it).  Once I concluded that series (it ran every day from the day of the nominations to the day of the Oscars) I would go on to write a series about all the films ever nominated for Best Picture, writing a review of every nominee because it didn’t seem like anyone had ever done that.  When that ended (in early 2013), I went on to other things, including beginning my Nighthawk Awards, my list of my own personal awards from each year.  I have been doing that series for four years now and am rapidly approaching the end (if I did as many years in 2017 as I did in 2016, I would finish it this year).  So, partially in an effort to put off the end of that series, I am starting this series.  This is essentially the same as the Best Picture series, except with the category of Best Animated Film.  So now, just before I post each Nighthawk Awards, starting with 2001, I will do a separate piece on the nominees for Best Animated Film.  This post is going up after the 2000 post because that was when the Academy finally decided to create this category, probably inspired, in part by the run of great animated films from previous years like Toy Story 2, Princess Mononoke, South Park, The Iron Giant and Chicken Run.  Also, with the rise of Pixar, the greater American visibility of Ghibli and new films from Aardman and DreamWorks, there were a lot more animated films out there and they wouldn’t just be giving the award to Disney every year (well, they would be mostly giving the award to Pixar, who was first distributed, then later, owned by Disney, so they actually were pretty much giving it to Disney almost every year), so it was time for the award. (more…)

swI have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down. (more…)

He rules.

He rules.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 16 in the categories but only the top 5 earn Nighthawk nominations.  I’m going with the Top 16 because that’s how many **** films there are.  It’s not because Cate Blanchett comes in 16th in Supporting Actress.  That’s only a coincidence.

Nighthawk Awards:

  • Best Picture
  1. American Beauty  **
  2. Magnolia
  3. The End of the Affair
  4. All About My Mother
  5. Eyes Wide Shut
  6. Three Kings
  7. Topsy-Turvy  *
  8. Princess Mononoke
  9. Being John Malkovich  *
  10. The Sixth Sense  *
  11. Toy Story 2
  12. The Talented Mr. Ripley
  13. The Insider  *
  14. Sweet and Lowdown
  15. Run Lola Run
  16. Following

Analysis:  This year sets a new high mark.  The Sixth Sense earns a 92 from me, which makes it the best #10 to-date, the first film to earn a higher mark in the #10 spot than Foolish Wives, the #10 film in the very first Nighthawk Awards.  The Top 20 (the remaining four films are Fight Club, Limbo, Abre Los Ojos and Man on the Moon) beats out 1994 for the best to-date.  As mentioned above, all 16 of these films are ****.
Three Kings had been in my Top 5 from the day I saw it in the theater all the way until I did these awards, when it was finally pushed out because I bumped up All About My Mother.
American Beauty becomes the first film to sweep the five awards groups (Oscar, BAFTA, PGA, Globe, BFCA).  It’s also the first to win the Oscar and the Consensus since Schindler’s List (which pre-dated the BFCA by one year). (more…)

inside-out-14In mid-January, on the day the Oscars were announced, I wrote a piece about the Oscar nominations.  In response to a comment on that piece, I listed Inside Out as my #6 film of the year.  A month and a half later, when I published my Year in Film, it was listed at #3 for the year.  What happened in between?  Well, Starz happened in between, as it started airing Inside Out the weekend of the Oscars.  Since it kept coming on and it’s something we’re definitely okay with Thomas watching, we kept putting it on.  The more I watched it, the more I found myself moved by it.  It wasn’t the moment that everyone talks about either, the moment when Bing-Bong sacrifices himself so that Joy can make it back, so that Riley can be saved.  It’s the end of the film, when the emotions can’t seem to bring Riley back, when she’s losing the capacity to feel anything at all. (more…)

This is the best lead performance in the best film with the best direction of the year, no matter what the Academy might say about any of those things.

This is the best lead performance in the best film with the best direction of the year, no matter what the Academy might say about any of those things.

Well, I was almost certain that the Academy would commit category fraud when it came to Rooney Mara, which is especially galling since she’s the main character in the film.  But they also decided to go that way with Alicia Vikander and cost her a double Oscar nomination (although at least they nominated her for the better performance).  I also was really hoping that for the first time since 2004, I would have seen all the nominees before the Oscar nominations were announced but the nomination of Room defeated that goal.  My desperate hope that all four Domhnall Gleason films would be nominated for Best Picture was also defeated, but there’s always the Nighthawk Awards (actually only two of them will be nominated for Picture at the Nighthawks, but I only nominate five films).

My real anger is that the Academy just short-changed the best film of the year.  Oh, they gave Carol 6 nominations (tied for fourth most this year) but they didn’t give it nominations for Picture or Director.

How did I do with guessing?  Not well.  I correctly got that there would be 8 Picture nominees, but went with Carol instead of Room.  The only major category I got completely right was Actor.  In Director I had 3, in both Screenplay categories I had four (I had Steve Jobs and Hateful Eight, both of which were surprise non-nominees), in Actress I had 4 (I got Rampling, but I thought Vikander would be lead), in Supporting Actor I got 4 (went with Shannon instead of Hardy) and in Supporting Actress got 4, if you count Vikander for the wrong role (I almost went with McAdams, but went with Mirren instead).  Aside from Actor, the only categories I got completely right were Visual Effects and Sound Editing. (more…)