A Century of Film


Mysteries


The Genre

 

“What about Film Noir?” Veronica asked me as I was talking about this category.  But, as I explained to her, Film Noir itself isn’t a genre, but a style that moves across multiple genres, usually Crime, Mystery and Suspense.  Crime films are easier to pull out because, as I explained in the Crime post, they are films in which the main character is a criminal.  It is a lot more difficult to draw a line between Crime films and Suspense films and you could easily take all of Mystery and make it a sub-section of Suspense films.  But I will try. (more…)

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FALSTAFF: We have heard the chimes at midnight, Master Robert Shallow. (Henry IV Part 2, III. ii. 220)

My Top 10:

  1. Chimes at Midnight
  2. Z
  3. Stolen Kisses
  4. Oh! What a Lovely War
  5. Midnight Cowboy
  6. They Shoot Horses, Don’t They?
  7. Boudu Saved from Drowning
  8. The Prime of Miss Jean Brodie
  9. Goodbye Columbus
  10. Cactus Flower

Note:  This year’s post is a bit ugly with a number of source materials I was unable to get.  There is also even a film that I am unable to really review because while I have seen it, it was years ago (well over a decade ago) and it is extremely difficult to get hold of and I wasn’t able to do so. (more…)

"Your future's all used up." The line doesn't go with this scene, but neither that line nor this scene are in the original novel. All that great work comes from Welles.

“Your future’s all used up.” The line doesn’t go with this scene, but neither that line nor this scene are in the original novel. All that great work comes from Welles.

My Top 10:

  1. Touch of Evil
  2. Cat on a Hot Tin Roof
  3. Separate Tables
  4. The Horse’s Mouth
  5. Vertigo
  6. Therese Raquin
  7. The Last Hurrah
  8. The Bravados
  9. The Horror of Dracula
  10. The Brothers Karamazov

Note:  There are 13 films on my list.  Me and the Colonel is reviewed because its was a WGA nominee and the other two are listed down below. (more…)

wild-bunch-2You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Wild Bunch
  2. Chimes at Midnight
  3. Butch Cassidy and the Sundance Kid  *
  4. Z  **
  5. Once Upon a Time in the West
  6. Oh! What a Lovely War!
  7. Midnight Cowboy  *
  8. Stolen Kisses
  9. They Shoot Horses Don’t They  *
  10. Shame

Analysis:  A truly great top 5, including three of the greatest Westerns ever made.  This is the best Top 5 since 1946 and the second best to date.  The Top 10 is strong as well – the best since 1962 and tied for the third best to date.  They are all **** films, but there is a four point drop from #6 to #7. (more…)

"This house was the pride of the town.  Faced with stone as far back as the dining-room windows, it was a house of arches and turrets and girdling stone porches: it had the first porte-cochere seen in that town."  (The Magnificent Ambersons, p 9)

“This house was the pride of the town. Faced with stone as far back as the dining-room windows, it was a house of arches and turrets and girdling stone porches: it had the first porte-cochere seen in that town.” (The Magnificent Ambersons, p 9)

My Top 10:

  1. The Magnificent Ambersons
  2. Bambi
  3. Random Harvest
  4. Now Voyager
  5. The Glass Key
  6. Kings Row
  7. This Gun for Hire
  8. The Man Who Came to Dinner
  9. Mrs. Miniver
  10. The Pride of the Yankees

note:  Like in 1941, I have a Top 10 but no more. (more…)

Part of the brilliant opening shot of Touch of Evil.

Part of the brilliant opening shot of Touch of Evil.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 8 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Touch of Evil
  2. Smiles of a Summer Night
  3. Cat on a Hot Tin Roof  *
  4. Nights of Cabiria
  5. The Defiant Ones  **
  6. Vertigo
  7. Death of a Cyclist
  8. Mon Oncle

(more…)

This is my kind of film and behind it is the single best view of my old city.

This is my kind of film and behind it is the single best view of my old city.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing 10 in each category because there are a strong Top 10 in most of the categories but only the top 5 make the nomination list (except for Actor).

Nighthawk Awards:

  • Best Picture
  1. Rebel Without a Cause
  2. Mister Roberts
  3. Bad Day at Black Rock
  4. To Catch a Thief
  5. East of Eden  *
  6. Lady and the Tramp
  7. Othello
  8. The Man with the Golden Arm
  9. Mr. Hulot’s Holiday
  10. Samurai I: Miyamato Musashi

(more…)