Bring on the cave troll.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories (because that’s how many **** films there are) but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Lord of the Rings: The Fellowship of the Ring  *
  2. The Fabulous Destiny of Amélie Poulain
  3. Moulin Rouge  *
  4. Mulholland Drive  **
  5. Memento
  6. Gosford Park
  7. In the Bedroom  *
  8. The Royal Tenenbaums
  9. Vanilla Sky
  10. Amores Perros
  11. The Man Who Wasn’t There
  12. The Others
  13. Ghost World
  14. Monster’s Ball
  15. A.I. Artificial Intelligence
  16. The Princess and the Warrior
  17. Black Hawk Down
  18. The Devil’s Backbone
  19. Monsters Inc.
  20. Harry Potter and the Sorcerer’s Stone

(more…)

One of cinema's great love stories. Along with a whole lot of other things. One of cinema's great films.

One of cinema’s great love stories. Along with a whole lot of other things. One of cinema’s great films.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Crouching Tiger, Hidden Dragon  *
  2. Traffic  *
  3. Almost Famous  *
  4. O Brother Where Art Thou
  5. Wonder Boys
  6. Thirteen Days
  7. High Fidelity
  8. The Virgin Suicides
  9. Billy Elliot
  10. Best in Show

Analysis:  Gladiator wins the Consensus easily in spite of not winning any critics awards.  It became just the fifth film to win the Oscar, Globe and BAFTA without having won any critics awards (one of which was Lawrence of Arabia, which was released in a year where there was no NYFC awards due to a strike).  But, with addition of the PGA in 1989 and the BFCA in 1995, Gladiator becomes the first film to win all five awards groups without having won a single critics group, something that has only happened once since (Argo).  It’s my #65 film of the year.  Almost Famous comes in second at the Consensus without an Oscar nom which is a rarity, but nothing compared to what will happen the next year.  Erin Brockovich, my #50, is the fifth Consensus nominee.  It’s also the first film to ever go 0 for 5 with the Best Picture awards (nominations from all five awards groups and losing all five), something which 14 films have done since and which has become quite common since the Best Picture lineup at the Oscars was expanded.
There are only 11 **** films on the year (the other is Chicken Run), making this a much weaker year than many recent years.  The Top 20 is the lowest in five years and there won’t be a lower one again until 2008.  Nonetheless, this year has some of my absolute favorite films of all-time, including Crouching Tiger, Almost Famous, O Brother, Wonder Boys and High Fidelity.
The Oscar Score is 43.6, the lowest since 1968, which is a little deceptive.  It’s because films below ***.5 don’t earn any points, so to have three *** nominees, even if they are mid ***, really hurts with the Oscar Score. (more…)

He rules.

He rules.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 16 in the categories but only the top 5 earn Nighthawk nominations.  I’m going with the Top 16 because that’s how many **** films there are.  It’s not because Cate Blanchett comes in 16th in Supporting Actress.  That’s only a coincidence.

Nighthawk Awards:

  • Best Picture
  1. American Beauty  **
  2. Magnolia
  3. The End of the Affair
  4. All About My Mother
  5. Eyes Wide Shut
  6. Three Kings
  7. Topsy-Turvy  *
  8. Princess Mononoke
  9. Being John Malkovich  *
  10. The Sixth Sense  *
  11. Toy Story 2
  12. The Talented Mr. Ripley
  13. The Insider  *
  14. Sweet and Lowdown
  15. Run Lola Run
  16. Following

Analysis:  This year sets a new high mark.  The Sixth Sense earns a 92 from me, which makes it the best #10 to-date, the first film to earn a higher mark in the #10 spot than Foolish Wives, the #10 film in the very first Nighthawk Awards.  The Top 20 (the remaining four films are Fight Club, Limbo, Abre Los Ojos and Man on the Moon) beats out 1994 for the best to-date.  As mentioned above, all 16 of these films are ****.
Three Kings had been in my Top 5 from the day I saw it in the theater all the way until I did these awards, when it was finally pushed out because I bumped up All About My Mother.
American Beauty becomes the first film to sweep the five awards groups (Oscar, BAFTA, PGA, Globe, BFCA).  It’s also the first to win the Oscar and the Consensus since Schindler’s List (which pre-dated the BFCA by one year). (more…)

Not exactly a "meet cute". More of a "meet dirty, smelly and cramped".

Not exactly a “meet cute”. More of a “meet dirty, smelly and cramped”.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Out of Sight  *
  2. Shakespeare in Love  *
  3. Saving Private Ryan  **
  4. The Big Lebowski
  5. Gods and Monsters  *
  6. The Truman Show
  7. Ringu
  8. Pleasantville
  9. Insomnia
  10. Fear and Loathing in Las Vegas

Analysis:  Only the top 9 are ****.  As is discussed down below, this is not a strong year for great films but it is a very strong year for very good films.
With Out of Sight (NSFC, BSFC wins, BFCA nom) and Gods and Monsters (NBR win, Globe, PGA, BFCA noms) in instead of The Thin Red Line and Life is Beautiful, the Consensus nominees are a lot better than the Oscar nominees.
Out of Sight is a great film, but let’s be fair.  It would have finished 6th in 1996 and fifth in 1997.  The most recent year where it even would have finished second is 1988.  In spite of that, this Top 5 is one point better than 1995. (more…)

I will fully admit that L.A. Confidential would be better if it had just ended on this shot and skipped that final scene.

I will fully admit that L.A. Confidential would be better if it had just ended on this shot and skipped that final scene.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. L.A. Confidential  **
  2. Boogie Nights
  3. The Sweet Hereafter
  4. The Ice Storm
  5. Jackie Brown
  6. Amistad
  7. Good Will Hunting  *
  8. Oscar and Lucinda
  9. Grosse Pointe Blank
  10. The Full Monty  *
  11. The Wings of the Dove
  12. Chasing Amy

Analysis:  These are all the **** films of the year.
It’s unfortunate that these films are all in 1997.  If any of my #2-4 were in 1998, they would win the Nighthawk, Boogie Nights especially.  L.A. Confidential is still my winner without question, but Boogie Nights keeps moving higher up my all-time list every time I watch it.  The Wings of the Dove got bumped up to **** when I re-watched it before doing these awards. (more…)

Probably my mother's favorite movie, at least in part because Chris Cooper actually plays the hero.

Probably my mother’s favorite movie, at least in part because Chris Cooper actually plays the hero.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Lone Star
  2. Trainspotting
  3. The English Patient
  4. Fargo
  5. Hamlet
  6. Secrets & Lies
  7. Jerry Maguire
  8. In the Bleak Midwinter
  9. Cold Comfort Farm
  10. The Crucible
  11. Romeo + Juliet
  12. Emma

Analysis:  There are a lot of years that have a better #1 film than Lone Star.  But not many have a better #2 than Trainspotting.  Even fewer have a better #3 than The English Patient.  The Top three films are tied with several others years for third best to-date (behind 1946 and 1950).  But Fargo is the best #4 film to-date (actually, it’s almost certainly the best #4 film ever).  And only a handful of years have a #5 film as good as Hamlet.  As a result, this year is tied with 1946 for the best Top 4 to-date and Top 5 to-date (and, probably, all-time).  There is a three point drop after that, so it’s only the second best Top 6, then another two point drop.  But, because all 10 films are ****, it is in the 6th best Top 10 to-date, behind only 1989, 1960, 1994, 1962 and 1991.
One thing I must make mention of here.  I don’t count documentaries, as I have mentioned in the past.  That is particularly relevant in this year, a year in which I actually went to see two documentaries in the theater (The Celluloid Closet, Looking for Richard) and there are a couple of others which are phenomenal (When We Were Kings, Paradise Lost).  I went with 12 films because this is my whole list of **** films.
Two of these films rank among the films I have watched the most over the last 20 years (Trainspotting, In the Bleak Midwinter). (more…)

A trio of Austen sisters brought to life with magnificence and humor.

A trio of Austen sisters brought to life with grace and humor.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Sense and Sensibility  **
  2. The Usual Suspects
  3. Richard III
  4. Les Miserables
  5. 12 Monkeys
  6. Leaving Las Vegas  *
  7. To Die For
  8. Toy Story
  9. Clockers
  10. Mina Tannenbaum

(more…)