Screen Shot 2021-09-25 at 7.20.43 AMThis is the 12th part of the countdown of the Top 1000 Films of the first Century of Film (1912-2011).  The introduction can be found here.  Just click here to find the other parts.

Films 450 through 428 are a 92.  The rest are a 93.  Both are mid ****. (more…)

A Century of Film

Kids Filmsozgang

The Genre

For a lot of people, Kids films mean Animated films.  Perhaps part of the problem is that I really should re-name the genre to Family Films, which I probably would if it didn’t mean making changes in so many different spreadsheets.  “Kids” implies it’s only for children and a lot of these films are only for children (and really shouldn’t even be for them because they’re so insipid) whereas “Family” opens up the notion to films that are good for kids, that kids can enjoy, but really are also aimed at the whole family where adults can also enjoy them.  That would make people stop thinking just “animated” and open things up to films like The Wizard of Oz, Miracle on 34th Street, The Muppet Movie or Babe.


A Century of Filmfantasia

Animated Film

Of all the categories that the Academy took too long to recognize (like Costume Design or Makeup), this is the most excusable.  It would not be until 1941 that there are even multiple feature length animated films, there aren’t five until 1970 and there aren’t really enough to justify a category until the early 80s.  The awards groups probably should have jumped on things earlier like the LAFC (1989) and Annies (1991) did but they didn’t wait way too long like they did with Costume Design and Makeup.


Screen Shot 2020-11-14 at 11.39.57 AMAll of these films except the last one is an 88.  The last one is an 89.  All are low ****.  The introduction is here. (more…)

Lear: Blow, winds, and crack your cheeks! rage! blow! (III, ii, 1)

My Top 10

  1. Ran
  2. Kiss of the Spider Woman
  3. The Color Purple
  4. Plenty
  5. Prizzi’s Honor
  6. Nausicaä of the Valley of the Wind
  7. The Shooting Party
  8. Fletch
  9. The Falcon and the Snowman
  10. A Sunday in the Country

note:  You may notice that this isn’t the same Top 10 that appeared in my Nighthawk Awards.  That’s because I did some thinking about some of the films and the list was considerably altered.  Both Plenty and The Shooting Party were much stronger than I had given them credit for.


Pay no attention to the bunnies in the door.

The 78th annual Academy Awards, for the film year 2005.  The nominations were announced on January 31, 2006 and the awards were held on March 5, 2006.

Best Animated Film:  Wallace & Gromit: The Curse of the Were-Rabbit

  • Corpse Bride
  • Howl’s Moving Castle

Most Surprising Omission: Madagascar

Best Eligible Film Not Nominated:  Steamboy

Rank (out of 16) Among Best Animated Film Years:  #1

Oscar Score:  100

Alternate Oscar Score:  100 (more…)

Miyazaki’s amazing vision still stands as the best winner in the history of this category.

The 75th annual Academy Awards, for the film year 2002.  The nominations were announced on February 11, 2003 and the awards were held on March 23, 2003.

Best Animated Film:  Spirited Away

  • Lilo and Stitch
  • Ice Age
  • Spirit: Stallion of the Cimarron
  • Treasure Planet

Most Surprising Omission: n/a

Best Eligible Film Not Nominated:  n/a

Rank (out of 16) Among Best Picture Years:  #14

Oscar Score:  100

Alternate Oscar Score:  96.4 (more…)

Back in 2009, I wrote a series of posts about each of the categories that have awards at the Oscars.  I organized it by category because almost all things written about the Oscars group them by years and never discussed the categories as a whole.  In 2010, I went back to that series and added the 2009 nominees to the original posts (you can find that original post here, but this post supersedes everything in it).  Once I concluded that series (it ran every day from the day of the nominations to the day of the Oscars) I would go on to write a series about all the films ever nominated for Best Picture, writing a review of every nominee because it didn’t seem like anyone had ever done that.  When that ended (in early 2013), I went on to other things, including beginning my Nighthawk Awards, my list of my own personal awards from each year.  I have been doing that series for four years now and am rapidly approaching the end (if I did as many years in 2017 as I did in 2016, I would finish it this year).  So, partially in an effort to put off the end of that series, I am starting this series.  This is essentially the same as the Best Picture series, except with the category of Best Animated Film.  So now, just before I post each Nighthawk Awards, starting with 2001, I will do a separate piece on the nominees for Best Animated Film.  This post is going up after the 2000 post because that was when the Academy finally decided to create this category, probably inspired, in part by the run of great animated films from previous years like Toy Story 2, Princess Mononoke, South Park, The Iron Giant and Chicken Run.  Also, with the rise of Pixar, the greater American visibility of Ghibli and new films from Aardman and DreamWorks, there were a lot more animated films out there and they wouldn’t just be giving the award to Disney every year (well, they would be mostly giving the award to Pixar, who was first distributed, then later, owned by Disney, so they actually were pretty much giving it to Disney almost every year), so it was time for the award. (more…)

swI have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down. (more…)

Oskar Schindler watches in horror the liquidation of the Krakow ghetto.

Oskar Schindler watches, in horror, the liquidation of the Krakow ghetto.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Schindler’s List  **
  2. The Age of Innocence
  3. In the Name of the Father  *
  4. Much Ado About Nothing
  5. A Perfect World
  6. The Remains of the Day  *
  7. My Neighbor Totoro
  8. Nightmare Before Christmas
  9. Three Colors: Blue
  10. Shadowlands
  11. In the Line of Fire
  12. Menace II Society

Analysis:  Schindler’s List crushes all previous Consensus records.  It sweeps the six major critics awards (a first) and wins all 10 awards.  While its total nominations have been beaten, the two other films which would sweep the critics awards (L.A. Confidential, The Social Network) would lose the Oscar and PGA and still fall short of the 10 wins for Schindler.  It still holds the Consensus record for points and it earns 49.19% of all the points, while no other post-1947 film has earned over 40%.  Even with the addition of the BFCA and the expansion of the guilds, only one film has managed to earn more total awards points in the years since (The Social Network).  Schindler’s List, even without the BFCA is still 9th all-time in total awards nominations and 2nd in wins (behind only Sideways).  It is still 5th all-time in total critics points.
It kills me to have to pick between Schindler and The Age of Innocence.  This is the second year in a row where the top two films have the same score.  The Age of Innocence is the best #2 in this category since Annie Hall.
This list has all twelve of the **** films for the year. (more…)