“The trick, William Potter, is not minding that it hurts.” That line is nowhere in the book but neither is almost any other line of dialogue in the film.

My Top 10:

  1. Lawrence of Arabia
  2. To Kill a Mockingbird
  3. Jules and Jim
  4. The Manchurian Candidate
  5. Throne of Blood
  6. Lolita
  7. Billy Budd
  8. The Music Man
  9. Sweet Bird of Youth
  10. The Man Who Shot Liberty Valance

Note:  There are 20 films on my list.  Only one of the other ten is reviewed: #12 – The Miracle Worker while the rest are listed down towards the bottom. (more…)

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"But the moment my eyes locked onto hers in that dark grove, I knew I couldn't leave there until I had killed him."

“But the moment my eyes locked onto hers in that dark grove, I knew I couldn’t leave there until I had killed him.”

My Top 10:

  1. Rashomon
  2. The Bad and the Beautiful
  3. Miss Julie
  4. The Man in the White Suit
  5. The Quiet Man
  6. A Christmas Carol
  7. The Card
  8. Sudden Fear
  9. Moulin Rouge
  10. Carrie

(more…)

ran-1985-1You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Ran  *
  2. Blood Simple
  3. Kiss of the Spider Woman
  4. The Purple Rose of Cairo  *
  5. Brazil
  6. Witness  *
  7. Back to the Future
  8. The Color Purple  *
  9. After Hours
  10. A Private Function

Analysis:  It’s the fourth time that Kurosawa wins Best Picture at the Nighthawks, although Bergman has won it three times since Kurosawa won it last.
This is the strongest Top 5 in this category in five years, namely because Brazil is the best #5 film in five years.  Witness is the best #6 film in six years.  That strong top 5 means a low Oscar score (54.1 – the lowest since 1977 and second lowest since 1969).  The Oscar itself goes to Out of Africa, the worst choice since the 50’s; it’s the first film since 1974 to win without a single critics award.  But the Consensus Award goes to Prizzi’s Honor, which is my #12. (more…)

The first black-and-white Nighthawk winner since 1966.

The first black-and-white Nighthawk winner since 1966.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Raging Bull  *
  2. Breaker Morant
  3. The Elephant Man  *
  4. The Empire Strikes Back
  5. Ordinary People  **
  6. Tess
  7. Kagemusha
  8. The Shining
  9. Stardust Memories
  10. Airplane!

Analysis:  The best Top 5 in six years and tied for 7th to this date.  The Top 10 (all **** films) is also the best since 1974, but is the 4th best to this date, behind only 1960, 1962 and 1974.  There are no other **** films in this year.  Melvin and Howard, a high ***.5, is my #11 and was a Consensus nominee. (more…)

I would say, "this is my childhood", but really, this extends far, far beyond my childhood.

I would say, “this is my childhood”, but really, this extends far, far beyond my childhood.  You should see my pantry.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Star Wars
  2. Annie Hall
  3. Aguirre the Wrath of God
  4. Close Encounters of the Third Kind
  5. King Lear
  6. That Obscure Object of Desire
  7. Jacob the Liar
  8. The Many Adventures of Winnie the Pooh
  9. Dersu Uzala
  10. The Goodbye Girl

(more…)

Come for a night of fun and games with George and Martha.

Come for a night of fun and games with George and Martha.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 7 in the categories but only the top 5 earn Nighthawk nominations.  In most year I list the Top 10, but this is too weak of a year to bother with that.

Nighthawk Awards:

  • Best Picture
  1. Who’s Afraid of Virginia Woolf  *
  2. A Man for All Seasons  **
  3. The Professionals
  4. Morgan
  5. Red Beard
  6. The Russians are Coming, The Russians are Coming  *
  7. Alfie

(more…)

Ironically, the big star of 1965 (Julie Christie) would not be that great in the best film of 1965.

Ironically, the big star of 1965 (Julie Christie) would not be that great in the best film of 1965.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Doctor Zhivago  *
  2. Repulsion
  3. The Pawnbroker
  4. Drunken Angel
  5. The Collector
  6. Darling  **
  7. The Spy Who Came in From the Cold
  8. King Rat
  9. The Umbrellas of Cherbourg
  10. Thunderball

(more…)