Screen Shot 2021-09-25 at 7.20.43 AMThis is the 12th part of the countdown of the Top 1000 Films of the first Century of Film (1912-2011).  The introduction can be found here.  Just click here to find the other parts.

Films 450 through 428 are a 92.  The rest are a 93.  Both are mid ****. (more…)

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This is the 9th part of the Top 1000 list.  The introduction can be found here.  Films #600-571 are a 90 and the rest are a 91 which are both low level ****. (more…)

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This is the 8th part and the introduction can be found here.  All 50 films in this section earn a 90 which is a lower range **** film. (more…)

A Century of Film

Adapted Screenplay

It didn’t take long for screenwriters to realize that what had been successful in other mediums could be successful in film as well.  After all, what is probably the first great film, A Trip to the Moon, came from H.G. Wells before Melies visualized it. (more…)

“There was a hush, and all turned their eyes on Frodo. He was shaken by a sudden shame and fear; and he felt a great reluctance to reveal the Ring, and a loathing of its touch. He wished he was far away. The Ring gleamed and flickered as he held it up before them in his trembling hand.” (p 240-241)

My Top 10

  1. The Lord of the Rings: The Fellowship of the Ring
  2. In the Bedroom
  3. Ghost World
  4. Vanilla Sky
  5. Last Orders
  6. Shrek
  7. Ocean’s Eleven
  8. A.I.
  9. Harry Potter and the Sorcerer’s Stone
  10. The Pledge

note:  Not a great Top 5 or Top 10.  It’s another of those years which is balanced by a fantastic group of original scripts (Amelie, Memento, Gosford Park, Monster’s Ball, Amores Perros, Royal Tenenbaums, Others, Man Who Wasn’t There).  My #11 (Black Hawk Down), 13 (Iris) and 14 (Bridget Jones) are reviewed down below because of nominations while the rest of my list (which reached 19) is down at the bottom. (more…)

“So I said, I love him and I’ll do anything if you make him alive. I said very slowly, I’ll give him up for ever, only let him be alive with a chance, and I pressed and pressed and I could feel the skin break, and I said, People can love without seeing each other, can’t they they, they love You all their lives without seeing You, and then he came in at the door, and he was alive, and I thought now the agony of being without him starts, and I wished he was safely back dead again under the door.” (p 95)

My Top 10

  1. The End of the Affair
  2. Eyes Wide Shut
  3. Toy Story 2
  4. The Talented Mr. Ripley
  5. The Insider
  6. Election
  7. Metroland
  8. Felicia’s Journey
  9. My Son the Fanatic
  10. The Cider House Rules

note:  A solid Top 5 but not so much for the Top 10.  But of course that’s balanced, as if often is, by a truly incredible original group of original scripts (American Beauty, Magnolia, Being John Malkovich, Three Kings, Topsy Turvy, Sixth Sense, Sweet and Lowdown, Following, Run Lola Run, Princess Mononoke, Abre Los Ojos).  This list is a bit different from the Nighthawk Awards because I saw Metroland since then and Fight Club dropped a bit when I re-watched it for the project – I still reviewed it because I had already gone through the effort of writing it, so it’s down at the bottom.  The rest of my list is shorter than usual and Fight Club (#11) is reviewed below as are my #16 (An Ideal Husband) and #17 (October Sky) because of award nominations. (more…)

If you don’t know what is being said in this scene you are sadly deficient when it comes to the greatest Comedy film ever made.

A Century of Film


Comedies


The Genre

“As America’s principal purveyor of entertainment, Hollywood packaged comedy in many forms.  In 1929, Variety surveyed the major studios and classified production trends into seven categories.  Comedy was divided into two – comedy drama and comedy.  The types subsumed under comedy drama consisted of society, rural, city, mystery, college, and domestic, and the types under comedy consisted of farce and action-adventure.  A quarter of all the films produced by the majors in 1929 could be classified as comedies of one sort or another.  Although comic types metamorphosed into the sophisticated, low-life, anarchistic, sentimental, folksy, screwball, populist, or romantic, the production trend remained a key component of every studio’s roster.”  (Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939, Tino Balio, p 256) (more…)

A Century of Film


Sci-Fi


The Genre

Science Fiction on film goes back to the dawn of narrative feature film storytelling.  The first great film, A Trip to the Moon, was a Sci-Fi film complete with state of the art special effects.  But not everyone could be George Méliès and not very many people tried.  I’ve only seen three Sci-Fi films made before the advent of sound (and there’s not much out there at feature length that I haven’t seen) and all of them were foreign (A Trip to Mars, Aelita: Queen of Mars, Metropolis).

The genre mostly lay dormant in the 1930’s and 1940’s.  If you click on those links, the vast majority of what is listed there (and even what is listed there isn’t very long) is either a serial (which I don’t count) or something I list as another genre (often Horror).  I’ve seen just 11 films from those two decades which I count (and none after 1941).  Then came the 50’s. (more…)

A Century of Film


Horror


The Genre

What is a Horror film?  And what would have qualified at the beginning of film?  Kim Newman and James Marriott correctly point out in their great book Horror! The Definitive Companion to the Most Terrifying Movies Ever Made, that as cinema was beginning, so was Horror as a genre, with works like Dr. Jekyll and Mr. Hyde and Dracula.  The first “official” Horror film is The Devil’s Castle, a two minute film from 1896.  Frankenstein was filmed as early as 1910 (a 12 minute film which was just recently restored) and Jekyll even before that in 1908.  The Avenging Conscience, a Griffith film based on works of Poe, is one of the earliest American feature-length films, running 78 minutes. (more…)

A Century of Film


War


The Genre

Though there are those who consider a less stringent definition, for me, a War film is one that actually depicts what is going on during the war.  By that, I generally mean the combat field, though it can also mean those fighting the war who aren’t in actual combat.  I don’t, for the most part, mean things that are happening due to effects of the war (for instance, Holocaust films or other films about civilians during the war), though those do sometimes get war sub-genres. (more…)