“The trick, William Potter, is not minding that it hurts.” That line is nowhere in the book but neither is almost any other line of dialogue in the film.

My Top 10:

  1. Lawrence of Arabia
  2. To Kill a Mockingbird
  3. Jules and Jim
  4. The Manchurian Candidate
  5. Throne of Blood
  6. Lolita
  7. Billy Budd
  8. The Music Man
  9. Sweet Bird of Youth
  10. The Man Who Shot Liberty Valance

Note:  There are 20 films on my list.  Only one of the other ten is reviewed: #12 – The Miracle Worker while the rest are listed down towards the bottom. (more…)

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“Det håller tre Wallare upå vår gård, De hafva gjort af med döttrarne vår.” (“There are three highwaymen in our yard, Who have our daughters slain.”)

My Top 10:

  1. The Virgin Spring
  2. The Cranes are Flying
  3. Tunes of Glory
  4. The World of Apu
  5. Elmer Gantry
  6. Our Man in Havana
  7. Sons and Lovers
  8. Inherit the Wind
  9. Psycho
  10. Spartacus

Note:  My full list is 18 films long.  The rest of the list is down at the bottom (in rank order by script). (more…)

" 'My God,' the Colonel suddenly yelled, 'the bridge has been mined, Colonel Saito. Those damn things I saw against the piles were explosives! And this wire . . .' " (p 174)

” ‘My God,’ the Colonel suddenly yelled, ‘the bridge has been mined, Colonel Saito. Those damn things I saw against the piles were explosives! And this wire . . .’ ” (p 174)

My Top 10:

  1. The Bridge on the River Kwai
  2. Paths of Glory
  3. Sweet Smell of Success
  4. 12 Angry Men
  5. Witness for the Prosecution
  6. Rififi
  7. The Good Soldier Schweik
  8. A Face in the Crowd
  9. A Hatful of Rain
  10. Heaven Knows Mr Allison

Note:  There are 12 films on my list.  The last two are listed down at the bottom. (more…)

He rules.

He rules.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 16 in the categories but only the top 5 earn Nighthawk nominations.  I’m going with the Top 16 because that’s how many **** films there are.  It’s not because Cate Blanchett comes in 16th in Supporting Actress.  That’s only a coincidence.

Nighthawk Awards:

  • Best Picture
  1. American Beauty  **
  2. Magnolia
  3. The End of the Affair
  4. All About My Mother
  5. Eyes Wide Shut
  6. Three Kings
  7. Topsy-Turvy  *
  8. Princess Mononoke
  9. Being John Malkovich  *
  10. The Sixth Sense  *
  11. Toy Story 2
  12. The Talented Mr. Ripley
  13. The Insider  *
  14. Sweet and Lowdown
  15. Run Lola Run
  16. Following

Analysis:  This year sets a new high mark.  The Sixth Sense earns a 92 from me, which makes it the best #10 to-date, the first film to earn a higher mark in the #10 spot than Foolish Wives, the #10 film in the very first Nighthawk Awards.  The Top 20 (the remaining four films are Fight Club, Limbo, Abre Los Ojos and Man on the Moon) beats out 1994 for the best to-date.  As mentioned above, all 16 of these films are ****.
Three Kings had been in my Top 5 from the day I saw it in the theater all the way until I did these awards, when it was finally pushed out because I bumped up All About My Mother.
American Beauty becomes the first film to sweep the five awards groups (Oscar, BAFTA, PGA, Globe, BFCA).  It’s also the first to win the Oscar and the Consensus since Schindler’s List (which pre-dated the BFCA by one year). (more…)

The ending of The Killing isn't in the original novel at all.

The ending of The Killing isn’t in the original novel at all.  But damn is it brilliant.

My Top 10:

  1. The Killing
  2. Baby Doll
  3. Diabolique
  4. The Trouble with Harry
  5. The Searchers
  6. Richard III
  7. Anastasia
  8. Invasion of the Body Snatchers
  9. Written on the Wind
  10. Wuthering Heights

Note:  The list once again exceeds 10; the rest of the list is down at the bottom except my #11 (Lust for Life), which is reviewed as an Oscar nominee. (more…)

To have any other film as my #1 would be inconceivable.

To have any other film as my #1 would be inconceivable.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Princess Bride
  2. Hope and Glory  **
  3. Broadcast News  *
  4. Au Revoir, Les Enfants
  5. Empire of the Sun  *
  6. Manon of the Spring
  7. The Dead
  8. Matewan
  9. The Last Emperor  *
  10. Jean de Florette  *

Analysis:  All of these are **** films (and there are three more: Full Metal Jacket, The Untouchables and House of Games).  But, outside of The Princess Bride, none of them are really high-level **** films.  It’s the year of lots of great films but only one of them is truly great.  As a result, we have a Top 5 that is lower than the year before but a Top 10 that is the highest in seven years.  Jean de Florette is the best #10 film since 1963.  And how did the Academy acknowledge this remarkable year?  By nominating Fatal Attraction, one of the worst films ever nominated for Best Picture. (more…)

The first black-and-white Nighthawk winner since 1966.

The first black-and-white Nighthawk winner since 1966.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Raging Bull  *
  2. Breaker Morant
  3. The Elephant Man  *
  4. The Empire Strikes Back
  5. Ordinary People  **
  6. Tess
  7. Kagemusha
  8. The Shining
  9. Stardust Memories
  10. Airplane!

Analysis:  The best Top 5 in six years and tied for 7th to this date.  The Top 10 (all **** films) is also the best since 1974, but is the 4th best to this date, behind only 1960, 1962 and 1974.  There are no other **** films in this year.  Melvin and Howard, a high ***.5, is my #11 and was a Consensus nominee. (more…)