“You realize who this linen girl Tanya is?” (p 612 – Pevear / Volokhonsky translation)

My Top 9:

  1. Dr. Zhivago
  2. The Pawnbroker
  3. The Spy Who Came in From the Cold
  4. The Collector
  5. A Thousand Clowns
  6. King Rat
  7. The Human Condition: Part III
  8. Thunderball
  9. The Train

Note:  That’s it.  After years and years of a list longer than ten, I can only come up with nine films and one of those, The Train, was actually nominated in the Original Screenplay category even though it was based on Rose Valland’s book. (more…)

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And Marty tallies yet another Nighthawk Award.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Hugo  *
  2. The Artist  **
  3. Tinker Tailer Soldier Spy
  4. Midnight in Paris  *
  5. The Descendants  *
  6. Harry Potter and the Deathly Hallows Part II
  7. A Separation
  8. The Adventures of Tintin: The Secret of the Unicorn
  9. The Tree of Life
  10. My Week with Marilyn
  11. The Ides of March
  12. Contagion
  13. Beginners
  14. Incendies
  15. Jane Eyre
  16. The Girl with the Dragon Tattoo
  17. Rango
  18. Margin Call
  19. As If I Am Not There
  20. Moneyball  *

Analysis:  The first 15 films are ****.  The rest are ***.5.  In spite of an overall weak year (see various categories below), the Top 5 tracks almost exactly along with 2009.  In fact, the first four films here all earn the exact same ratings as the first four in 2009 and The Descendants is one point better than Broken Embraces in the #5 spot, so this year’s Top 5 is actually one point better.  That said, it’s still the second weakest Top 5 since 1998 (and the same goes for the Top 10 and Top 20).
The Help was actually 4th in the Consensus.  There are 5 films because Midnight in Paris and Moneyball tied for 5th (as did War Horse). (more…)

This is not the new series promised a couple of posts ago.  Instead, this is the stuff that usually goes into my Best Picture post – an ongoing reaction to how things are looking, although I will probably add in more notes related to other awards as well.  I am posting this for a few reasons.  The first is that the death of the hard drive has lead to me being really swamped as I struggle to rewrite 19 reviews for my Best Adapted Screenplay posts and that is making it hard to get things done.  The second is that a lot of the things I notice about the awards as they are handed out during the season aren’t things you read elsewhere because other writers are under deadlines and I am not and they don’t have my spreadsheets; to that end I would like a forum to introduce these connections as they are happening rather than months later.  The third is that it gives a place on the blog for people to leave comments about current awards season news without needing to comment on the latest blog post, no matter the relevance (reminder that on weekdays, I can’t approve comments while at work, so don’t panic if your comment doesn’t show up right away).

This will not replace the Oscar notes and trivia I do the morning of the nominations (23 January), though I will link to it when it happens.  Anytime I add something in this post I will make it “sticky” so that it goes up to the top of the page.  But that won’t make it re-post or put it on V’s Facebook again.  I will continue to do this at least through the first few days after the Oscars on 4 March.  So, any day that awards are handed out by critics groups or guild nominations (or Globes, BAFTA, etc) are announced, there is a good chance I will add to this post.  I will start with the first couple of days worth that I had from working on the eventual Best Picture post, based on the first two critics groups.  Oh, and by the way, I haven’t actually seen Dunkirk yet, but given my love for Nolan’s films, I feel comfortable putting that FYC ad there (actually, I’ve seen it now (6 Dec) and it will take something amazing in The Post, The Shape of Water or Call Me By Your Name to keep Dunkirk from winning the Nighthawk).  But I get no revenue from it or from anything ever on this site.

(more…)

If we kept watching, would it keep spinning? And would it matter?

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Inception  *
  2. The Social Network  **
  3. True Grit  *
  4. The King’s Speech  *
  5. The Ghost Writer
  6. Winter’s Bone  *
  7. Harry Potter and the Deathly Hallows Part I
  8. Black Swan  *
  9. Toy Story 3  *
  10. The Town
  11. Biutiful
  12. Another Year
  13. The Kids are All Right  *
  14. Tangled
  15. Shutter Island
  16. Never Let Me Go
  17. Rabbit Hole
  18. Blue Valentine
  19. Green Zone
  20. Somewhere

Analysis:  This is one of those rare years where I have changed my original Best Picture winner.  It’s not that Social Network went down at all, but that Inception went up.  And, really, it’s a pretty close finish between the two.
The Social Network ties LA Confidential for the most Consensus noms ever (11) and no film since (through 2016) has had more wins (8) or points (845) though both are fewer than The Hurt Locker in the year before.
With seven nominees in my Top 10, the Oscar Score is 87.7, by far the highest in any year with more than five nominees (and the third highest ever irregardless of the number of nominees).
(more…)

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 15 in the categories but only the top 5 earn Nighthawk nominations.  I’m only going with the Top 15 because there are 15 **** films and several categories don’t even get that far.  It’s a weak year all around.

Nighthawk Awards:

  • Best Picture
  1. Inglourious Basterds  *
  2. The Hurt Locker  **
  3. A Serious Man  *
  4. Up  *
  5. Broken Embraces
  6. An Education  *
  7. Harry Potter and the Half-Blood Prince
  8. Up in the Air  *
  9. A Single Man
  10. District 9  *
  11. The White Ribbon
  12. The Informant
  13. Sin Nombre
  14. Coraline
  15. Revanche

Analysis:  As mentioned above, I went with 15 films because that’s how many **** films there are in this year.  That the Oscars nominated seven of them (as well as my #16 film, Precious) speaks well of their first year with 10 nominees in 66 years. (more…)

The DiCaprio side of the DiCaprio-Scorsese collaborations takes a quantum leap.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Aviator  *
  2. A Very Long Engagement
  3. Sideways  **
  4. Eternal Sunshine of the Spotless Mind  *
  5. Harry Potter and the Prisoner of Azkaban
  6. House of Flying Daggers
  7. Closer
  8. The Incredibles
  9. Kill Bill Volume 2
  10. Silver City
  11. Hero
  12. Hotel Rwanda
  13. Million Dollar Baby  *
  14. Spider-Man 2
  15. Kinsey
  16. Bad Education
  17. Finding Neverland  *
  18. Vera Drake
  19. Shrek 2
  20. Mar Adentro

Analysis:  Ray and Eternal Sunshine actually tied for the 5th Consensus nominee spot.  Million Dollar Baby, with a third place finish, is the first Oscar winner not to be #1 or #2 at the Consensus Awards since 1995, and no film has finished below 2nd since (through 2016).
All 20 of these films are **** and there are no other **** films.  It’s a magnificent Top 10 and the third best Top 20 to-date. (more…)

“We set out to save the shire. And it has been saved. But for not for me.”

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Lord of the Rings: The Return of the King  **
  2. Mystic River  *
  3. Lost in Translation  *
  4. In America
  5. City of God
  6. Master and Commander: The Far Side of the World  *
  7. Finding Nemo
  8. Kill Bill Volume 1
  9. A Mighty Wind
  10. Whale Rider
  11. Pirates of the Caribbean: The Curse of the Black Pearl
  12. American Splendor  *
  13. Dirty Pretty Things
  14. The Station Agent
  15. Nowhere in Africa
  16. The Triplets of Belleville
  17. Tokyo Godfathers
  18. The Barbarian Invasions
  19. The Last Samurai
  20. 21 Grams

Analysis:  After three straight years where the Consensus race came down to less than 100 points, Return of the King almost doubles any other film.  Master and Commander, on the other hand, becomes another film to earn nominations from the five awards groups but win none of them.
The Top 10 is eight points lower than the year before and it still tied for the second best to-date (and third best ever).  The Top 20 is 14 points lower than 2002 and 13 points lower than 2001 but still the third best to-date.  The Top 5, though, is actually the best since 1996 and tied for the third best ever.
The first 18 films are **** films.  The last two are ***.5. (more…)