PULVER: Captain, this is Ensign Pulver. I just threw your palm trees overboard. Now what's all this crap about no movie tonight? (He throws the door open, banging it against the bulkhead, and is entering the CAPTAIN's cabin) Curtain.

PULVER: Captain, this is Ensign Pulver. I just threw your palm trees overboard. Now what’s all this crap about no movie tonight? (He throws the door open, banging it against the bulkhead, and is entering the CAPTAIN’s cabin) Curtain.

My Top 10:

  1. Mister Roberts
  2. East of Eden
  3. To Catch a Thief
  4. Picnic
  5. Bad Day at Black Rock
  6. The Man with the Golden Arm
  7. The Heart of the Matter
  8. Lady and the Tramp
  9. Samurai I: Musashi Miyamoto
  10. Ugetsu

Note:  This year has one of the longest lists of this era, with several more mentioned down towards the bottom of the post. (more…)

STANLEY [with heaven-splitting violence]: STELL-LAHHHHH!

STANLEY [with heaven-splitting violence]: STELL-LAHHHHH!  (p 60)

My Top 10:

  1. A Streetcar Named Desire
  2. Detective Story
  3. A Place in the Sun
  4. The African Queen
  5. Strangers on a Train
  6. Oliver Twist
  7. La Ronde
  8. Death of a Salesman
  9. He Ran All the Way
  10. Alice in Wonderland

(more…)

One of the more poignant relationships in film history and it's nowhere in the original novel.

One of the more poignant relationships in film history and it’s nowhere in the original novel.

My Top 10:

  1. Bicycle Thieves
  2. The Heiress
  3. A Letter to Three Wives
  4. It Always Rains on Sunday
  5. All the King’s Men
  6. Whisky Galore
  7. Thieves’ Highway
  8. Champion
  9. The Window
  10. The Fallen Idol

note:  There are two more on my list: my #11, Yellow Sky, is covered below because it is a Consensus nominee, but my #12 and #13 were not nominated by any group and are listed down at the end of this post. (more…)

the_lost_weekend_2

“When the drink was set before him, he felt better. He did not drink it immediately. Now that he had it, he did not need to.” (p 11)

My Top 10:

  1. The Lost Weekend
  2. To Have and Have Not
  3. Spellbound
  4. The Body Snatcher
  5. The Man in Grey
  6. A Tree Grows in Brooklyn
  7. And Then There Were None
  8. The Picture of Dorian Gray
  9. The Story of G.I. Joe
  10. The Southerner

Note:  A year after only having five on my whole list, I have more than 10.  My #11 is Pride of the Marines, which is covered down below because it was an Oscar nominee.  Next year, I’ll be back to less than a whole list. (more…)

This is my kind of film and behind it is the single best view of my old city.

This is my kind of film and behind it is the single best view of my old city.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing 10 in each category because there are a strong Top 10 in most of the categories but only the top 5 make the nomination list (except for Actor).

Nighthawk Awards:

  • Best Picture
  1. Rebel Without a Cause
  2. Mister Roberts
  3. Bad Day at Black Rock
  4. To Catch a Thief
  5. East of Eden  *
  6. Lady and the Tramp
  7. Othello
  8. The Man with the Golden Arm
  9. Mr. Hulot’s Holiday
  10. Samurai I: Miyamato Musashi

(more…)

Still one of the best scenes in all of film history.

Still one of the best scenes in all of film history.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing 8 in each category, namely because that’s how many **** films there are, but only the top 5 actually earn nominations and in many categories there aren’t even 8 on my list.

Nighthawk Awards:

  • Best Picture
  1. On the Waterfront  **
  2. Rear Window  *
  3. Forbidden Games
  4. A Star is Born
  5. Sabrina
  6. Gate of Hell  *
  7. Hobson’s Choice  *
  8. The Country Girl  *

Analysis:  There are many who would pick Rear Window but to me On the Waterfront is the easy winner here.  Gate of Hell is a close 6th place, but then there is a couple of points drop to Hobson and another couple to Country Girl.  Because I weight the BAFTA and Oscars the same, there is a glut of films tied for 5th place in the Consensus thanks to their BAFTA nom, including Rear Window, Gate of Hell and Hobson’s Choice. (more…)

1950 has Sunset Blvd, the greatest film ever made.  1951 has A Streetcar Named Desire, with the greatest acting ever put on screen.

1950 has Sunset Blvd, the greatest film ever made. 1951 has A Streetcar Named Desire, with the greatest acting ever put on screen.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m going with a top 8 this time, even though only the top 5 in each category earn nominations (except Actor, but that will be explained).  I went with 8 because there are 8 great films in this year.

Nighthawk Awards:

  • Best Picture
  1. A Streetcar Named Desire  **
  2. Strangers on a Train
  3. Detective Story  *
  4. The African Queen
  5. A Place in the Sun  *
  6. Oliver Twist
  7. Ace in the Hole
  8. La Ronde  *

(more…)