Screen Shot 2021-10-03 at 7.34.48 AMThis is part something of this, I’ve lost track.  But you can find the original introduction here and by going here you can find all the other parts.  All of these films earn a 93 on a 100 point scale except The Commitments which is a 94 (which is a high **** while the rest are mid ****). The picture above wasn’t the easiest to decide on this time – I originally had Michael Caine images from three different films (in three different decades), there are two films with the same director and two stars, I could have gone with a different McKellen pic on the left to go with the one on the right or I could have done the other McKellen pic with another actor in the same role. (more…)

Screen Shot 2021-07-24 at 7.25.33 AMThis is the 11th part of the countdown of the Top 1000 Films of the first Century of Film (1912-2011).  The introduction can be found here.  Just click here to find the other parts.

All 50 of these films earns a 92 which is mid ****. (more…)

IMG_0152

This is the 9th part of the Top 1000 list.  The introduction can be found here.  Films #600-571 are a 90 and the rest are a 91 which are both low level ****. (more…)

If you don’t know what is being said in this scene you are sadly deficient when it comes to the greatest Comedy film ever made.

A Century of Film


Comedies


The Genre

“As America’s principal purveyor of entertainment, Hollywood packaged comedy in many forms.  In 1929, Variety surveyed the major studios and classified production trends into seven categories.  Comedy was divided into two – comedy drama and comedy.  The types subsumed under comedy drama consisted of society, rural, city, mystery, college, and domestic, and the types under comedy consisted of farce and action-adventure.  A quarter of all the films produced by the majors in 1929 could be classified as comedies of one sort or another.  Although comic types metamorphosed into the sophisticated, low-life, anarchistic, sentimental, folksy, screwball, populist, or romantic, the production trend remained a key component of every studio’s roster.”  (Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939, Tino Balio, p 256) (more…)

swI have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down. (more…)

"But the moment my eyes locked onto hers in that dark grove, I knew I couldn't leave there until I had killed him."

“But the moment my eyes locked onto hers in that dark grove, I knew I couldn’t leave there until I had killed him.”

My Top 10:

  1. Rashomon
  2. The Bad and the Beautiful
  3. Miss Julie
  4. The Man in the White Suit
  5. The Quiet Man
  6. A Christmas Carol
  7. The Card
  8. Sudden Fear
  9. Moulin Rouge
  10. Carrie

(more…)

"I have known her six years and seen her twice in a decent dress. Once was at a funeral of a big producer for whom she had no respect and once when she had to receive a Critics award she didn't want." (The Wisdom of Eve)

“I have known her six years and seen her twice in a decent dress. Once was at a funeral of a big producer for whom she had no respect and once when she had to receive a Critics award she didn’t want.” (“The Wisdom of Eve”)

My Top 8:

  1. All About Eve
  2. Night and the City
  3. Kind Hearts and Coronets
  4. The Asphalt Jungle
  5. Harvey
  6. In a Lonely Place
  7. Cinderella
  8. Broken Arrow

Note:  Yes, only a Top 8.  There are 20 films in this year that I rate ***.5 or better and only seven of them are adapted (Broken Arrow is a high ***).  The Third Man is often thought of as adapted, but the script was actually written first. (more…)

Perhaps the greatest action film ever made.

Perhaps the greatest action film ever made.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing 10 in each category because there are a strong Top 10 in most of the categories but only the top 5 make the nomination list (except for Actor).

Nighthawk Awards:

  • Best Picture
  1. Seven Samurai
  2. The Searchers
  3. The Killing
  4. Richard III  *
  5. The Ladykillers
  6. Forbidden Planet
  7. Diabolique
  8. Baby Doll
  9. La Strada
  10. Sawdust and Tinsel

(more…)

rashomon

There may be no truth. But there is one of the most brilliant films ever made.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m going with a top 8 this time, even though only the top 5 in each category earn nominations .

Nighthawk Awards:

  • Best Picture
  1. Rashomon
  2. Singin’ in the Rain
  3. High Noon  **
  4. The Bad and the Beautiful
  5. The Lavender Hill Mob
  6. Miss Julie
  7. The Quiet Man  *
  8. Moulin Rouge  *

(more…)

It's possible that this film doesn't move you.  It's also possible you have no heart.

It’s possible that this film doesn’t move you. It’s also possible you have no heart.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated (this is the first year that there are nominees for the Globes).  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winner.

Nighthawk Awards:

  • Best Picture
  1. Bicycle Thieves  *
  2. The Heiress  *
  3. A Canterbury Tale
  4. A Letter to Three Wives  *
  5. It Always Rains on Sunday

(more…)