"Your future's all used up." The line doesn't go with this scene, but neither that line nor this scene are in the original novel. All that great work comes from Welles.

“Your future’s all used up.” The line doesn’t go with this scene, but neither that line nor this scene are in the original novel. All that great work comes from Welles.

My Top 10:

  1. Touch of Evil
  2. Cat on a Hot Tin Roof
  3. Separate Tables
  4. The Horse’s Mouth
  5. Vertigo
  6. Therese Raquin
  7. The Last Hurrah
  8. The Bravados
  9. The Horror of Dracula
  10. The Brothers Karamazov

Note:  There are 13 films on my list.  Me and the Colonel is reviewed because its was a WGA nominee and the other two are listed down below. (more…)

swI have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down. (more…)

We all got it comin, kid.

We all got it comin, kid.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Unforgiven  **
  2. The Crying Game  *
  3. The Player  *
  4. The Last of the Mohicans
  5. Howards End  *
  6. Reservoir Dogs
  7. Raise the Red Lantern
  8. Aladdin
  9. Flirting
  10. Singles

Analysis:  These are the only **** films.  There’s a four point drop from the #10 to the #11 film.  The #11 film is also an Oscar and Consensus nominee: A Few Good Men. (more…)

This is not gonna end well for anyone at the table.

This is not gonna end well for anyone at the table.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Alien
  2. Apocalypse Now  *
  3. All That Jazz
  4. Manhattan  *
  5. Picnic at Hanging Rock
  6. Being There
  7. Kramer vs. Kramer  **
  8. Breaking Away  *
  9. Love on the Run
  10. The Muppet Movie

Analysis:  Manhattan not only earns a Consensus nom but has the most Consensus points for any film to-date other than Day for Night to fail to earn an Oscar nomination (it won the BAFTA and NBR and earned a Globe nom).  It would be another 13 years before another film had more points without an Oscar nom (The Player) and it’s still tied for 8th most all-time.  All That Jazz is an oddity – the only film between 1974 and 1988 to earn an Oscar nom without any other Picture noms, but at least the Academy got that one right.
This is really a great group, especially the top 7.  The Top 10 is the 7th best to this date.  The first nine films are all **** and the #10 is a very high ***.5.  Actually, the list continues with three very high ***.5 (Life of Brian, Nosferatu, And Justice for All). (more…)

chaplin4

That wonderful final shot.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category.  Films in blue were nominated.  But remember, there’s still only eight categories at this point.

Nighthawk Awards:

  • Best Picture
  1. City Lights
  2. Dracula
  3. The Public Enemy
  4. Le Million
  5. Earth

(more…)

Bela Lugosi with the lovely, but tragic Helen Chandler in Dracula (1931).

Bela Lugosi with the lovely, but tragic Helen Chandler in Dracula (1931).

My Top 6:

  1. Dracula
  2. Le Million
  3. The Front Page
  4. Animal Crackers
  5. Little Caesar
  6. The Criminal Code

Note:  So, this time I managed to get to six.  There is a long list of notable adaptations at the bottom, none of which managed to place high enough in my esteem to actually break into my contenders.  As it is, there is a significant difference between the top two (which are almost a tie) and all the rest of the scripts on the list. (more…)

One of the brilliant scenes in Murnau's Nosferatu that's not in the original source.

One of the brilliant scenes in Murnau’s Nosferatu that’s not in the original source.

My Top 5:

  1. Nosferatu
  2. L’Argent
  3. The Wind
  4. The Docks of New York
  5. Street Angel

Note:  There is only a top 5 for this year.  There were more than enough adapted screenplays to have a Top 10 if the quality of the scripts had merited it.  They do not.  And there wouldn’t even have been 5 if I hadn’t seen L’Argent last week. (more…)