" 'My God,' the Colonel suddenly yelled, 'the bridge has been mined, Colonel Saito. Those damn things I saw against the piles were explosives! And this wire . . .' " (p 174)

” ‘My God,’ the Colonel suddenly yelled, ‘the bridge has been mined, Colonel Saito. Those damn things I saw against the piles were explosives! And this wire . . .’ ” (p 174)

My Top 10:

  1. The Bridge on the River Kwai
  2. Paths of Glory
  3. Sweet Smell of Success
  4. 12 Angry Men
  5. Witness for the Prosecution
  6. Rififi
  7. The Good Soldier Schweik
  8. A Face in the Crowd
  9. A Hatful of Rain
  10. Heaven Knows Mr Allison

Note:  There are 12 films on my list.  The last two are listed down at the bottom. (more…)

STANLEY [with heaven-splitting violence]: STELL-LAHHHHH!

STANLEY [with heaven-splitting violence]: STELL-LAHHHHH!  (p 60)

My Top 10:

  1. A Streetcar Named Desire
  2. Detective Story
  3. A Place in the Sun
  4. The African Queen
  5. Strangers on a Train
  6. Oliver Twist
  7. La Ronde
  8. Death of a Salesman
  9. He Ran All the Way
  10. Alice in Wonderland

(more…)

The greatest musical talent in history burns himself up.

The greatest musical talent in history burns himself up.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Amadeus  **
  2. A Passage to India  *
  3. The Killing Fields  *
  4. This is Spinal Tap
  5. Under the Volcano
  6. Ghostbusters
  7. Broadway Danny Rose
  8. Once Upon a Time in America
  9. The Cotton Club
  10. Gremlins

(more…)

"But, I saw that everything within my view which ought to be white, had been white long ago, and had lost its lustre, and was faded and yellow. I saw that the bride within the bridal dress had withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes." (p. 50 - Norton Critical Edition)

“But, I saw that everything within my view which ought to be white, had been white long ago, and had lost its lustre, and was faded and yellow. I saw that the bride within the bridal dress had withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes.” (p. 50 – Norton Critical Edition)

My Top 10:

  1. Great Expectations
  2. La belle et la Bête
  3. Crossfire
  4. Out of the Past
  5. Gentleman’s Agreement
  6. This Happy Breed
  7. Boomerang!
  8. Brighton Rock
  9. Ride the Pink Horse
  10. Green for Danger

note:  After only having seven in the great year of 1946, I have a full list of 10 and a couple more besides (see below). (more…)

“They were clustered / At the right waist-port; the gun was there, / And Homer hung against it, crying joy. / They saw a river; they all knew it.” (p 22)

My Top 7:

  1. The Best Years of Our Lives
  2. Brief Encounter
  3. The Big Sleep
  4. It’s a Wonderful Life
  5. Henry V
  6. The Spiral Staircase
  7. The Killers

note:  This is an interesting year.  It’s one of the greatest years in film history and the Top 7 films (Children of Paradise and Notorious are original scripts) are better than than the top 7 of any other year.  However, there’s a big drop-off after those seven and thus I only have a Top 7, not a Top 10.

(more…)

Suicide is painless indeed.

Suicide is painless indeed.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 7 in the categories but only the top 5 earn Nighthawk nominations.  Why am I only listing the Top 7 when I’ve been listing the Top 10 for quite a while now?  Well, how should I put this?  This is a TERRIBLE YEAR FOR FILM.

Nighthawk Awards:

  • Best Picture
  1. M*A*S*H  **
  2. Five Easy Pieces  *
  3. Patton  *
  4. The Twelve Chairs
  5. Women in Love
  6. Mississippi Mermaid
  7. Lovers and Other Strangers

Analysis:  How terrible a year in film?  Well, there are only three **** films.  It’s the first year since 1930 that there have been less than four.  Patton is also the weakest #3 film since 1930.  Five Easy Pieces is the weakest #2 film since 1945.  In the 1960’s M*A*S*H would have won the award in several years; Five Easy Pieces would have only been nominated in three years.  In the 1950’s, M*A*S*H would only have won the award in two years and Patton would have never finished higher than sixth.  Both the Top 5 and the Top 10 are the weakest since 1945. (more…)

Ironically, the big star of 1965 (Julie Christie) would not be that great in the best film of 1965.

Ironically, the big star of 1965 (Julie Christie) would not be that great in the best film of 1965.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Doctor Zhivago  *
  2. Repulsion
  3. The Pawnbroker
  4. Drunken Angel
  5. The Collector
  6. Darling  **
  7. The Spy Who Came in From the Cold
  8. King Rat
  9. The Umbrellas of Cherbourg
  10. Thunderball

(more…)