slumdogend

Actually, it is only written in the screenplay. The book is very different.

My Top 10

  1. Slumdog Millionaire
  2. The Dark Knight
  3. Revolutionary Road
  4. Doubt
  5. OSS 117: Cairo, Nest of Spies
  6. Let the Right One In
  7. The Reader
  8. Iron Man
  9. A Secret
  10. Appaloosa

note:  Not the strongest Top 5 and a fairly weak second 5. (more…)

departed

Nothing Wahlberg says in the film is anything like the dialogue in the original film but damn it’s brilliant.

My Top 10

  1. The Departed
  2. Children of Men
  3. Tristram Shandy: A Cock and Bull Story
  4. The Prestige
  5. Perfume
  6. Casino Royale
  7. Army of Shadows
  8. The Painted Veil
  9. Thank You for Smoking
  10. Notes on a Scandal

note:  An excellent Top 5 and Top 10. (more…)

bm

When it came—thirty cents—he pinned it up in his trailer, brass-headed tack in each corner. Below it he drove a nail and on the nail he hung a wire hanger and the two old shirts suspended from it. He stepped back and looked at the ensemble through a few stinging tears. “Jack, I swear—” he said, though Jack had never asked him to swear anything and was himself not the swearing kind.

My Top 10

  1. Brokeback Mountain
  2. Munich
  3. Pride & Prejudice
  4. The Constant Gardener
  5. The History of Violence
  6. Batman Begins
  7. Downfall
  8. Capote
  9. Proof
  10. King Kong

note:  An excellent Top 5 and Top 10. (more…)

Screen Shot 2020-11-14 at 12.02.51 PMAll 50 films in this post earn an 89 which is low ****.  The introduction to the entire list can be found here. (more…)

This is the start of my Top 1000 Countdown, the 1000 best films made in the first Century of Film (1912-2011).  A reminder that the introduction should probably be looked at first and will answer any questions about abbreviations.

Every film in this group of 50 earns an 86, which is high ***.5. (more…)

A Century of Film


Sci-Fi


The Genre

Science Fiction on film goes back to the dawn of narrative feature film storytelling.  The first great film, A Trip to the Moon, was a Sci-Fi film complete with state of the art special effects.  But not everyone could be George Méliès and not very many people tried.  I’ve only seen three Sci-Fi films made before the advent of sound (and there’s not much out there at feature length that I haven’t seen) and all of them were foreign (A Trip to Mars, Aelita: Queen of Mars, Metropolis).

The genre mostly lay dormant in the 1930’s and 1940’s.  If you click on those links, the vast majority of what is listed there (and even what is listed there isn’t very long) is either a serial (which I don’t count) or something I list as another genre (often Horror).  I’ve seen just 11 films from those two decades which I count (and none after 1941).  Then came the 50’s. (more…)

Three out of three amigos have now won Oscars.

The 90th annual Academy Awards, for the film year 2017.  The nominations were announced on 23 January 2018 and the awards were held on 4 March 2018.

Best Picture:  The Shape of Water

  • Lady Bird
  • Dunkirk
  • The Post
  • Darkest Hour
  • Phantom Thread
  • Get Out
  • Call Me By Your Name
  • Three Billboards Outside Ebbing, Missouri

Most Surprising Omission:  I, Tonya

Best Eligible Film Not Nominated:  Coco

Rank (out of 90) Among Best Picture Years:  #10 (more…)

Congrats to the single best collection of five performances ever nominated for Best Actress.

The record didn’t get tied this year, but it was close.  And for the first time in 13 years, I have actually seen all the Best Picture nominees already, even if I only predicted eight of the nine (see the end here). (more…)

This is not the new series promised a couple of posts ago.  Instead, this is the stuff that usually goes into my Best Picture post – an ongoing reaction to how things are looking, although I will probably add in more notes related to other awards as well.  I am posting this for a few reasons.  The first is that the death of the hard drive has lead to me being really swamped as I struggle to rewrite 19 reviews for my Best Adapted Screenplay posts and that is making it hard to get things done.  The second is that a lot of the things I notice about the awards as they are handed out during the season aren’t things you read elsewhere because other writers are under deadlines and I am not and they don’t have my spreadsheets; to that end I would like a forum to introduce these connections as they are happening rather than months later.  The third is that it gives a place on the blog for people to leave comments about current awards season news without needing to comment on the latest blog post, no matter the relevance (reminder that on weekdays, I can’t approve comments while at work, so don’t panic if your comment doesn’t show up right away).

This will not replace the Oscar notes and trivia I do the morning of the nominations (23 January), though I will link to it when it happens.  Anytime I add something in this post I will make it “sticky” so that it goes up to the top of the page.  But that won’t make it re-post or put it on V’s Facebook again.  I will continue to do this at least through the first few days after the Oscars on 4 March.  So, any day that awards are handed out by critics groups or guild nominations (or Globes, BAFTA, etc) are announced, there is a good chance I will add to this post.  I will start with the first couple of days worth that I had from working on the eventual Best Picture post, based on the first two critics groups.  Oh, and by the way, I haven’t actually seen Dunkirk yet, but given my love for Nolan’s films, I feel comfortable putting that FYC ad there (actually, I’ve seen it now (6 Dec) and it will take something amazing in The Post, The Shape of Water or Call Me By Your Name to keep Dunkirk from winning the Nighthawk).  But I get no revenue from it or from anything ever on this site.

(more…)

The Dark Knight Rises

  • Year:  2012
  • Director:  Christopher Nolan
  • Series Rank:  #3
  • Year Rank:  #9
  • Oscar Nominations:  none
  • Nighthawk Nominations:  Adapted Screenplay, Supporting Actress, Sound, Sound Editing
  • Batman Villains:  Tom Hardy (Bane)
  • Love Interest:  Anne Hathaway (Catwoman), Marion Cotillard (Miranda Tate)
  • Batman Allies:  Michael Caine (Alfred), Gary Oldman (Commissioner Gordon), Morgan Freeman (Lucius Fox), Joseph Gordon-Levitt (John Blake)

Any movie that has a countdown, a race against time as its climax will always beat the clock.  Sometimes you can beat the clock with wit (like Goldfinger, ending on 007 even though Bond himself doesn’t do it) and sometimes it’s just pathetic (like in Octopussy).  But they will always beat the clock, because otherwise what’s the point?  So it’s always a question of how artfully you do it.  To my mind, the best examples of when you’re so caught up in the moment, so pulled in by the editing and the cinematography and especially the music (music is always so important in any kind of race against the clock like this) that you’re ignoring the cliche and just reveling in the race are Star Wars, of course, and The Dark Knight Rises.  But then, the film takes an added step and we really haven’t beaten the countdown, because that bomb is still there and still deteriorating and we’re running out of time. (more…)