"Your future's all used up." The line doesn't go with this scene, but neither that line nor this scene are in the original novel. All that great work comes from Welles.

“Your future’s all used up.” The line doesn’t go with this scene, but neither that line nor this scene are in the original novel. All that great work comes from Welles.

My Top 10:

  1. Touch of Evil
  2. Cat on a Hot Tin Roof
  3. Separate Tables
  4. The Horse’s Mouth
  5. Vertigo
  6. Therese Raquin
  7. The Last Hurrah
  8. The Bravados
  9. The Horror of Dracula
  10. The Brothers Karamazov

Note:  There are 13 films on my list.  Me and the Colonel is reviewed because its was a WGA nominee and the other two are listed down below. (more…)

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Bring on the cave troll.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories (because that’s how many **** films there are) but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Lord of the Rings: The Fellowship of the Ring  *
  2. The Fabulous Destiny of Amélie Poulain
  3. Moulin Rouge  *
  4. Mulholland Drive  **
  5. Memento
  6. Gosford Park
  7. In the Bedroom  *
  8. The Royal Tenenbaums
  9. Vanilla Sky
  10. Amores Perros
  11. The Man Who Wasn’t There
  12. The Others
  13. Ghost World
  14. Monster’s Ball
  15. A.I. Artificial Intelligence
  16. The Princess and the Warrior
  17. Black Hawk Down
  18. The Devil’s Backbone
  19. Monsters Inc.
  20. Harry Potter and the Sorcerer’s Stone

(more…)

Words guaranteed to bring a good (and gory) time.

When Star Wars was released in 1977, it had a lot of things going for it.  One of those things was the casting.  Diane Crittenden, Irene Lamb and Vic Ramos, the casting directors for the film had done their job perfectly.  We had three relative unknowns in the main lead roles.  But to supplement their performances, we had two great British actors.  The first, of course, was Sir Alec Guinness, already an Oscar winner, and, back in the 50’s, star of the Ealing Comedies, one of the best group of films ever created in a single genre by a single studio (see a future post).  But for the villain, they brought in Peter Cushing.  By this time, Guinness had been in 37 films (including two Best Picture winners and two Graham Greene adaptations) and Cushing had appeared in 83 films (including a different Best Picture winner and a different Graham Greene adaptation), but they had never done a film together (and wouldn’t in a sense here, either, because they never appear onscreen together).  Part of this was that while Guinness was rising with David Lean films and starring at Ealing, Cushing was further east, on the other side of Heathrow Airport, starring in another great group of films created in a single genre by a single studio.  He was one of the two key actors in the Hammer Horror films.  And rather appropriately, Christopher Lee, who would be his onscreen enemy in so many of these films, would eventually take over the role of Star Wars villain starting with Attack of the Clones.

There had been great Horror films before.  In fact, none of the films that Hammer would make would rival the best of the films produced by Universal between 1923 and 1935.  But while Universal had a great run of success with The Hunchback of Notre Dame, The Phantom of the Opera, The Man Who Laughs, Dracula, Frankenstein, The Mummy, The Invisible Man and The Bride of Frankenstein, it trailed off badly after that.  There was also irony going on during that stretch.  While those films combined for one measly Oscar nomination (Bride of Frankenstein – Best Sound), it was Paramount’s Dr. Jekyll and Mr. Hyde that would actually win a major Academy Award (Best Actor for 1932-33 – Frederic March).  There were a couple of other Horror gems during this time (Vampyr, King Kong), but after 1935, it all went south.  I have not seen a single Horror film released between 1935 and 1956 better than a mid *** except The Body Snatcher.  There were just endless sequels, getting worse and worse, as budgets got lower and lower and acting became nonexistent.  They weren’t even good entertainment anymore, they couldn’t frighten and they were just boring.

Then came 1957 and a film called The Curse of Frankenstein. (more…)