A Century of Film: The Top 1000 Films (#500-451)

This is the 11th part of the countdown of the Top 1000 Films of the first Century of Film (1912-2011).  The introduction can be found here.  Just click here to find the other parts.

All 50 of these films earns a 92 which is mid ****.

 

A Century of Film: The Top 1000 Films (#600-551)

This is the 9th part of the Top 1000 list.  The introduction can be found here.  Films #600-571 are a 90 and the rest are a 91 which are both low level ****.

 

A Century of Film: The Top 1000 Films (#650-601)

This is the 8th part and the introduction can be found here.  All 50 films in this section earn a 90 which is a lower range **** film.

 

Best Adapted Screenplay: 2001

“There was a hush, and all turned their eyes on Frodo. He was shaken by a sudden shame and fear; and he felt a great reluctance to reveal the Ring, and a loathing of its touch. He wished he was far away. The Ring gleamed and flickered as he held it up before them in his trembling hand.” (p 240-241)

My Top 10

1. The Lord of the Rings: The Fellowship of the Ring
2. In the Bedroom
3. Ghost World
4. Vanilla Sky
5. Last Orders
6. Shrek
7. Ocean’s Eleven
8. A.I.
9. Harry Potter and the Sorcerer’s Stone
10. The Pledge

note:  Not a great Top 5 or Top 10.  It’s another of those years which is balanced by a fantastic group of original scripts (Amelie, Memento, Gosford Park, Monster’s Ball, Amores Perros, Royal Tenenbaums, Others, Man Who Wasn’t There).  My #11 (Black Hawk Down), 13 (Iris) and 14 (Bridget Jones) are reviewed down below because of nominations while the rest of my list (which reached 19) is down at the bottom.

 

Best Adapted Screenplay: 1982

” ‘Mama!” She heard Eva’s thin but soaring cry at the instant that she thrust the child away from her and rose from the concrete with a clumsy stumbling motion. ‘Take the baby!’ she called out. ‘Take my little girl!'” (p 590)

My Top 10

1. Sophie’s Choice
2. The Verdict
3. Missing
4. Das Boot
5. Star Trek II: The Wrath of Khan
6. Fast Times at Ridgemont High
7. Victor/Victoria
8. Three Brothers
9. Blade Runner
10. The World According to Garp

 

The Nighthawk Awards: 2001

Bring on the cave troll.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories (because that’s how many **** films there are) but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

• Best Picture

1. The Lord of the Rings: The Fellowship of the Ring  *
2. The Fabulous Destiny of Amélie Poulain
3. Moulin Rouge  *
4. Mulholland Drive  **
5. Memento
6. Gosford Park
7. In the Bedroom  *
8. The Royal Tenenbaums
9. Vanilla Sky
10. Amores Perros
11. The Man Who Wasn’t There
12. The Others
13. Ghost World
14. Monster’s Ball
15. A.I. Artificial Intelligence
16. The Princess and the Warrior
17. Black Hawk Down
18. The Devil’s Backbone
19. Monsters Inc.
20. Harry Potter and the Sorcerer’s Stone

 

My Top 100 Favorite Films

I have always been a proponent of the idea that I can separate what I think is brilliant from what I personally enjoy.  Let’s just look at 2015.  I think that Carol and The Revenant were the two best films of the year.  But if I’m going to sit and watch a movie from 2015, odds are it will be The Force Awakens (this is borne out by the fact that I’ve seen Carol twice, The Revenant all the way through once and The Force Awakens, at a modest count, 21 times complete plus the final 20 minutes about 15 more).

To that extent, I have finally culled together a list of my 100 Favorite Films, the ones I am most likely to sit still and watch, or at least not change the station if I come across them.  They’re not heavy Drama.  In fact, when I went through the genres, only one film on the entire list is one that I classify primarily as Drama (Casablanca).

It’s really hard to do this kind of list when you’ve seen as many films as I have (14,000+).  I put it together by going through year by year and adding films, and once I hit 100, knocking off the films at the bottom.  When I first read Veronica a list of 50 films, I then pointed out that those were the 50 I was about to delete because they didn’t make the list and she was stunned.  “But you love those films!” she pointed out.  “But I love the Top 100 even more,” I replied.  It was very, very tough.  Though they are easily two of the greatest directors of all-time if not the two greatest directors of all-time, not a single Kurosawa or Kubrick film ended up on the list.  There is no Bergman.  There is no David Lean.  The Ealing Comedies and the Hammer Horror, both of which I love so much I wrote about them only have one film each.  I did For Love of Film posts for James Bond (1 film) and Star Trek (2 films).  It’s really, really hard to narrow it all down.

 

The Nighthawk Awards: 2000

One of cinema’s great love stories. Along with a whole lot of other things. One of cinema’s great films.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

• Best Picture

1. Crouching Tiger, Hidden Dragon  *
2. Traffic  *
3. Almost Famous  *
4. O Brother Where Art Thou
5. Wonder Boys
6. Thirteen Days
7. High Fidelity
8. The Virgin Suicides
9. Billy Elliot
10. Best in Show

Analysis:  Gladiator wins the Consensus easily in spite of not winning any critics awards.  It became just the fifth film to win the Oscar, Globe and BAFTA without having won any critics awards (one of which was Lawrence of Arabia, which was released in a year where there was no NYFC awards due to a strike).  But, with addition of the PGA in 1989 and the BFCA in 1995, Gladiator becomes the first film to win all five awards groups without having won a single critics group, something that has only happened once since (Argo).  It’s my #65 film of the year.  Almost Famous comes in second at the Consensus without an Oscar nom which is a rarity, but nothing compared to what will happen the next year.  Erin Brockovich, my #50, is the fifth Consensus nominee.  It’s also the first film to ever go 0 for 5 with the Best Picture awards (nominations from all five awards groups and losing all five), something which 14 films have done since and which has become quite common since the Best Picture lineup at the Oscars was expanded.
There are only 11 **** films on the year (the other is Chicken Run), making this a much weaker year than many recent years.  The Top 20 is the lowest in five years and there won’t be a lower one again until 2008.  Nonetheless, this year has some of my absolute favorite films of all-time, including Crouching Tiger, Almost Famous, O Brother, Wonder Boys and High Fidelity.
The Oscar Score is 43.6, the lowest since 1968, which is a little deceptive.  It’s because films below ***.5 don’t earn any points, so to have three *** nominees, even if they are mid ***, really hurts with the Oscar Score.

 

The Nighthawk Awards: 1996

Probably my mother’s favorite movie, at least in part because Chris Cooper actually plays the hero.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 12 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

• Best Picture

1. Lone Star
2. Trainspotting
3. The English Patient
4. Fargo
5. Hamlet
6. Secrets & Lies
7. Jerry Maguire
8. In the Bleak Midwinter
9. Cold Comfort Farm
10. The Crucible
11. Romeo + Juliet
12. Emma

Analysis:  There are a lot of years that have a better #1 film than Lone Star.  But not many have a better #2 than Trainspotting.  Even fewer have a better #3 than The English Patient.  The Top three films are tied with several others years for third best to-date (behind 1946 and 1950).  But Fargo is the best #4 film to-date (actually, it’s almost certainly the best #4 film ever).  And only a handful of years have a #5 film as good as Hamlet.  As a result, this year is tied with 1946 for the best Top 4 to-date and Top 5 to-date (and, probably, all-time).  There is a three point drop after that, so it’s only the second best Top 6, then another two point drop.  But, because all 10 films are ****, it is in the 6th best Top 10 to-date, behind only 1989, 1960, 1994, 1962 and 1991.
One thing I must make mention of here.  I don’t count documentaries, as I have mentioned in the past.  That is particularly relevant in this year, a year in which I actually went to see two documentaries in the theater (The Celluloid Closet, Looking for Richard) and there are a couple of others which are phenomenal (When We Were Kings, Paradise Lost).  I went with 12 films because this is my whole list of **** films.
Two of these films rank among the films I have watched the most over the last 20 years (Trainspotting, In the Bleak Midwinter).

 

The Nighthawk Awards: 1992

We all got it comin, kid.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

• Best Picture

1. Unforgiven  **
2. The Crying Game  *
3. The Player  *
4. The Last of the Mohicans
5. Howards End  *
6. Reservoir Dogs
7. Raise the Red Lantern
8. Aladdin
9. Flirting
10. Singles

Analysis:  These are the only **** films.  There’s a four point drop from the #10 to the #11 film.  The #11 film is also an Oscar and Consensus nominee: A Few Good Men.