Screen Shot 2021-07-24 at 7.25.33 AMThis is the 11th part of the countdown of the Top 1000 Films of the first Century of Film (1912-2011).  The introduction can be found here.  Just click here to find the other parts.

All 50 of these films earns a 92 which is mid ****. (more…)

Screen Shot 2021-01-13 at 3.20.46 PMThe ongoing countdown of my Top 1000 films through 2011, covering the first century of film.  The film listed below are all 89 (low ****) until The Gunfighter after which they are 90 (low ****).  The TSPDT rankings starting with this post are from the 2021 list.  The introduction can be found here. (more…)

Screen Shot 2020-11-14 at 11.39.57 AMAll of these films except the last one is an 88.  The last one is an 89.  All are low ****.  The introduction is here. (more…)

This is the next batch of 50 films counting down my Top 1000 Films of All-Time.  Once again, they all earn an 86, which is high ***.5.  I recommend reading the introduction first.  The first batch of 50 were here. (more…)

A Century of Film

The Golden Globes

I should probably start with the obvious: the Golden Globe Awards are a registered trademark of the HFPA (which is also trademarked).  I don’t have their permission to write any of this (and I don’t need it) and I don’t own any of the photos.  They are also a major part of the film industry, whether anyone likes it or not (and many people don’t for very good reasons).  They have been around for a long time and there is a lot that is odd but also some that is very good about them.  So I’ve compiled a post of various info, trivia and assorted little tidbits about the awards, organized by category. (more…)

A Century of Film

Original Screenplay

It’s a bit difficult to write the history of original screenplays on film.  First of all, it’s been hard to determine, a lot of times, over the years, if a film truly is original or not.  When the old site existed they listed films by a source author which was really helpful for determining if something was adapted or not but not perfect as sometimes the “source” was just a screen story or an idea.  There were also occasions where they didn’t list anything, the same way that sometimes the IMDb or Wikipedia don’t list a source material and I end up considering something original until someone points out that it’s not. (more…)

Sadly, I don’t have all the time in the world.  If I did, my Century of Film pieces on War Films and 20th Century-Fox would already be posted and I wouldn’t still have over 60 films recorded off TCM waiting to be watched.  As a result, I rarely revisit old posts to make corrections and I haven’t had time to peruse all the Academy Rule Books that they have posted.  Yet, some weirdness has come up and I’ll quickly address a couple of issues that I have discovered (or, to be more precise, I did research on after they were pointed out to me). (more…)

“Det håller tre Wallare upå vår gård, De hafva gjort af med döttrarne vår.” (“There are three highwaymen in our yard, Who have our daughters slain.”)

My Top 10:

  1. The Virgin Spring
  2. The Cranes are Flying
  3. Tunes of Glory
  4. The World of Apu
  5. Elmer Gantry
  6. Our Man in Havana
  7. Sons and Lovers
  8. Inherit the Wind
  9. Psycho
  10. Spartacus

Note:  My full list is 18 films long.  The rest of the list is down at the bottom (in rank order by script). (more…)

“The only thing necessary for the triumph of evil is for good men to do nothing.” – Edmund Burke

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees but I also wrote more about the year, originally, here.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Good Night and Good Luck  *
  2. Munich
  3. Brokeback Mountain  **
  4. King Kong
  5. Kingdom of Heaven
  6. A History of Violence
  7. Batman Begins
  8. The Constant Gardener
  9. Pride and Prejudice
  10. Downfall
  11. Cache
  12. Syriana
  13. Wallace & Gromit: The Curse of the Were-Rabbit
  14. Saraband
  15. Match Point
  16. Twin Sisters
  17. Corpse Bride
  18. Harry Potter and the Goblet of Fire
  19. Star Wars Episode III: Revenge of the Sith
  20. Kung Fu Hustle

Analysis:  A truly fantastic year.  Brokeback ranks among the best ever #3 films, King Kong among the best #4 films and Kingdom among the best #5 films.  A History of Violence would be a nominee in most years.  The Top 5 is tied for 10th all-time.  The Top 10 is second all-time behind only 2002.  Downfall is the third best #10 film ever.  The Top 20 is the best all-time as is the 11-20.  Not only are all 20 of these films **** films, but there are actually a record 26 (the others are Sin City, Capote, Proof, Cinderella Man, Don’t Move, Elizabethtown).
I feel a little weird about this year.  Brokeback is a brilliant film and I have thought so since I saw it in the theater, but except for the stretch from when I saw it to when I first saw Munich, it has never been my #1 film.  It was Munich for years then eventually moved to Good Night and Good Luck.  But all three films are just about a tie and they come one right after the other on my grand list of all Best Picture nominees.  There’s no question, given how the year went, that it should have won Best Picture.  It won three of the six critics awards and the other four awards groups.  Only three films have more Consensus points without winning the Oscar and all three of those (LA Confidential, Social Network, Boyhood) lost the PGA and DGA and the first two also lost the Globe while Brokeback won all of those.  It was the first film ever to sweep the other four awards groups and lose the Oscar (La La Land would later do it but it would lose to a film that won more critics awards and won the Globe – Drama).  It joined The Aviator as only the second film to this point to win both the Globe and the PGA and fail to win the Oscar.  It is the only film to win the PGA, DGA and WGA and fail to win the Oscar.  Yet, it would lose to Crash, the film with the lowest Consensus point total to win the Oscar since 1995 and the first film since 1973 to win the Oscar without a Globe nomination and only the second Oscar winner to fail to be nominated for a Globe.  In fact, ironically, the most comparable year to this one is 1995, when Ang Lee’s film also looked like it should have won but lost to a film that had not done nearly as well with earlier awards groups, though at least that year had been more telegraphed when Lee failed to earn a Best Director nomination at the Oscars.
Crash, at #101, becomes the fourth Oscar winner to fail to make the Top 100 for the year.  It also finishes a period of twelve years when the Oscars awarded the worst of the five nominees a whopping seven times; it has not done so again since (through 2016).  It joins 1989 and 2000 as years where the Picture winner isn’t in my Top 50 but the Director winner is my #2. (more…)

Karin: Hush, hush! The actor is tuning up his lute. The Grave Gentleman bids us dance. He wants us to take each other’s hands and form a chain. He himself will lead us, and the actor will bring up the rear. Away from the dawn we shall go with measured tread, away to the dark lands while the rain caresses our faces. (tr. Randolph Goodman and Leif Sjoberg)

My Top 10:

  1. The Seventh Seal
  2. Some Like It Hot
  3. The Diary of Anne Frank
  4. Anatomy of a Murder
  5. Ordet
  6. Compulsion
  7. Pather Panchali
  8. Sleeping Beauty
  9. Tiger Bay
  10. Aparajito

Note:  There are 16 films on my list.  Two of them are listed below, as they were Consensus nominees (Ben Hur – #11, Room at the Top – #14).  The other four are all the way down at the bottom. (more…)