Whether you go with the 3 hour theatrical release or the 6 hour television version, Fanny and Alexander is the best film of the year.

Whether you go with the 3 hour theatrical release or the 6 hour television version, Fanny and Alexander is the best film of the year.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Fanny & Alexander  *
  2. Terms of Endearment  **
  3. The Big Chill
  4. Zelig
  5. The Right Stuff
  6. Betrayal
  7. Star Wars Episode VI: The Return of the Jedi
  8. Educating Rita  *
  9. Miss Europe
  10. Danton

(more…)

One final happy moment from a very unhappy film.

One final beautiful moment from a very bleak film.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Deer Hunter  **
  2. Midnight Express  *
  3. Interiors
  4. Autumn Sonata
  5. Watership Down
  6. Heaven Can Wait  *
  7. The Ascent
  8. The Chess Players
  9. Superman
  10. Halloween

Analysis:  The Deer Hunter is the second weakest winner ever.  Not to-date, but ever (only The Informer is weaker and they only finished two spots apart in my Best Picture list).  It wouldn’t make the Top 5 in either of the next two years.  It wouldn’t even be the #2 film in any remaining year.  The Top 5 is the weakest since 1970.  This is the last year where the Top 10 doesn’t average a 90 (it averages an 89.5) and is the lowest in six years.
The Deer Hunter is the first War film since 1957 to win Best Picture.  Watership Down is the first Animated film since Bambi to earn a Best Picture nomination.  The first seven films are ****. (more…)

These are actually all of Katharine Graham's men. But they're gonna take down the president's men.

These are actually all of Katharine Graham’s men. But they’re gonna take down the president’s men.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. All the President’s Men  **
  2. Network  *
  3. Taxi Driver  *
  4. Solyaris
  5. Carrie
  6. Face to Face
  7. The Outlaw Josey Wales
  8. The Mystery of Kaspar Hauser
  9. Ali: Fear Eats the Soul
  10. Seven Beauties

(more…)

chinatown

You know, to be farm land, you need something. Let me think. Oh yeah. Water!

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Chinatown  *
  2. The Godfather Part II  *
  3. Day for Night  **
  4. Scenes from a Marriage  *
  5. The Conversation  *
  6. Badlands
  7. Young Frankenstein
  8. Blazing Saddles
  9. Lenny
  10. The Parallax View

(more…)

“Red represents for me the interior of the soul” – Ingmar Bergman

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Cries and Whispers  **
  2. Mean Streets
  3. The Exorcist  *
  4. American Graffiti  *
  5. The Sting  *
  6. Serpico
  7. Last Tango in Paris
  8. Don’t Look Now
  9. The Day of the Jackal  *
  10. The Friends of Eddie Coyle

(more…)

Michael's descent into darkness is captured in this amazing shot by Gordon Willis.

Michael’s descent into darkness is captured in this amazing shot by Gordon Willis.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 8 in the categories but only the top 5 earn Nighthawk nominations.  I’ve dropped it from 10 because in a lot of categories I only have 8 or fewer listed.

Nighthawk Awards:

  • Best Picture
  1. The Godfather  *
  2. The Discreet Charm of the Bourgeoisie  *
  3. Sleuth
  4. Cabaret  **
  5. Deliverance  *
  6. Play It Again, Sam
  7. Murmur of the Heart
  8. The Emigrants  *

(more…)

wild-bunch-2You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 10 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Wild Bunch
  2. Chimes at Midnight
  3. Butch Cassidy and the Sundance Kid  *
  4. Z  **
  5. Once Upon a Time in the West
  6. Oh! What a Lovely War!
  7. Midnight Cowboy  *
  8. Stolen Kisses
  9. They Shoot Horses Don’t They  *
  10. Shame

Analysis:  A truly great top 5, including three of the greatest Westerns ever made.  This is the best Top 5 since 1946 and the second best to date.  The Top 10 is strong as well – the best since 1962 and tied for the third best to date.  They are all **** films, but there is a four point drop from #6 to #7. (more…)