“To speak out boldly at once, she was in love, according to the present universally received sense of that phrase, by which love is applied indiscriminately to the desirable objects of all our passions, appetites, and sense, and is understood to be that preference which we give to one kind of food rather than to another.” (p 420)

My Top 10:

  1. Tom Jones
  2. Shoot the Piano Player
  3. White Nights
  4. Hud
  5. The Great Escape
  6. The Leopard
  7. Captain Newman, M.D.
  8. Sundays and Cybele
  9. Irma La Douce
  10. Charade

Note:  There are 14 films on my list.  The other four are all listed towards the bottom of the post. (more…)

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This is not the new series promised a couple of posts ago.  Instead, this is the stuff that usually goes into my Best Picture post – an ongoing reaction to how things are looking, although I will probably add in more notes related to other awards as well.  I am posting this for a few reasons.  The first is that the death of the hard drive has lead to me being really swamped as I struggle to rewrite 19 reviews for my Best Adapted Screenplay posts and that is making it hard to get things done.  The second is that a lot of the things I notice about the awards as they are handed out during the season aren’t things you read elsewhere because other writers are under deadlines and I am not and they don’t have my spreadsheets; to that end I would like a forum to introduce these connections as they are happening rather than months later.  The third is that it gives a place on the blog for people to leave comments about current awards season news without needing to comment on the latest blog post, no matter the relevance (reminder that on weekdays, I can’t approve comments while at work, so don’t panic if your comment doesn’t show up right away).

This will not replace the Oscar notes and trivia I do the morning of the nominations (23 January), though I will link to it when it happens.  Anytime I add something in this post I will make it “sticky” so that it goes up to the top of the page.  But that won’t make it re-post or put it on V’s Facebook again.  I will continue to do this at least through the first few days after the Oscars on 4 March.  So, any day that awards are handed out by critics groups or guild nominations (or Globes, BAFTA, etc) are announced, there is a good chance I will add to this post.  I will start with the first couple of days worth that I had from working on the eventual Best Picture post, based on the first two critics groups.  Oh, and by the way, I haven’t actually seen Dunkirk yet, but given my love for Nolan’s films, I feel comfortable putting that FYC ad there (actually, I’ve seen it now (6 Dec) and it will take something amazing in The Post, The Shape of Water or Call Me By Your Name to keep Dunkirk from winning the Nighthawk).  But I get no revenue from it or from anything ever on this site.

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If we kept watching, would it keep spinning? And would it matter?

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Inception  *
  2. The Social Network  **
  3. True Grit  *
  4. The King’s Speech  *
  5. The Ghost Writer
  6. Winter’s Bone  *
  7. Harry Potter and the Deathly Hallows Part I
  8. Black Swan  *
  9. Toy Story 3  *
  10. The Town
  11. Biutiful
  12. Another Year
  13. The Kids are All Right  *
  14. Tangled
  15. Shutter Island
  16. Never Let Me Go
  17. Rabbit Hole
  18. Blue Valentine
  19. Green Zone
  20. Somewhere

Analysis:  This is one of those rare years where I have changed my original Best Picture winner.  It’s not that Social Network went down at all, but that Inception went up.  And, really, it’s a pretty close finish between the two.
The Social Network ties LA Confidential for the most Consensus noms ever (11) and no film since (through 2016) has had more wins (8) or points (845) though both are fewer than The Hurt Locker in the year before.
With seven nominees in my Top 10, the Oscar Score is 87.7, by far the highest in any year with more than five nominees (and the third highest ever irregardless of the number of nominees).
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For someone whose entire pantry is filled with his childhood toys, this is a poignant moment to me about what you choose to let go.

The 83rd annual Academy Awards for the film year 2010.  The nominations were announced on 25 January 2011 and the awards were held on 27 February 2011.

Best Animated Film:  Toy Story 3

  • How to Train Your Dragon
  • The Illusionist

Most Surprising Omission:  Despicable Me

Best Eligible Film Not Nominated:  Tangled

Rank (out of 16) Among Best Animated Film Years:  #5

Oscar Score:  69.2

Alternate Oscar Score:  95.5

Note:  If the Oscars had nominated five films and added Tangled and Despicable Me, this year would still be 5th.  But if you replace The Illusionist with Tangled and keep three nominees, this year leaps all the way to #1. (more…)

Introduction

This is a companion piece to three different series.  The first is The History of the Academy Awards, in which I covered each category in individual posts.  This was originally done in 2009 (nominees through 2008) and additions were included in 2010 for the 2009 nominees.  You can find links to all of these pieces in each individual category.  I have grouped all of the categories together for the same reason that I did so originally – because most pieces on the Oscars don’t approach the awards through the categories, but through the years.  This specific piece is designed to take a closer look at the decade and how I think the Academy did in those years.

The second series is my Year in Film series.  That is mentioned here because in those pieces I included paragraphs about the Oscars as a whole for each year and included a considerable amount of trivia.  Since I had based my Year in Film series and eligibility as such on the Academy calendar, it all seemed very relevant.  Also, I include various prizes (Worst Oscar, Worst Nomination, Worst Omission, etc) and I didn’t want to repeat myself, so following the links will bring you there.  Those links are at the end of this piece, where I do a brief summation of each year and how the Academy did. (more…)

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 15 in the categories but only the top 5 earn Nighthawk nominations.  I’m only going with the Top 15 because there are 15 **** films and several categories don’t even get that far.  It’s a weak year all around.

Nighthawk Awards:

  • Best Picture
  1. Inglourious Basterds  *
  2. The Hurt Locker  **
  3. A Serious Man  *
  4. Up  *
  5. Broken Embraces
  6. An Education  *
  7. Harry Potter and the Half-Blood Prince
  8. Up in the Air  *
  9. A Single Man
  10. District 9  *
  11. The White Ribbon
  12. The Informant
  13. Sin Nombre
  14. Coraline
  15. Revanche

Analysis:  As mentioned above, I went with 15 films because that’s how many **** films there are in this year.  That the Oscars nominated seven of them (as well as my #16 film, Precious) speaks well of their first year with 10 nominees in 66 years. (more…)

“The trick, William Potter, is not minding that it hurts.” That line is nowhere in the book but neither is almost any other line of dialogue in the film.

My Top 10:

  1. Lawrence of Arabia
  2. To Kill a Mockingbird
  3. Jules and Jim
  4. The Manchurian Candidate
  5. Throne of Blood
  6. Lolita
  7. Billy Budd
  8. The Music Man
  9. Sweet Bird of Youth
  10. The Man Who Shot Liberty Valance

Note:  There are 20 films on my list.  Only one of the other ten is reviewed: #12 – The Miracle Worker while the rest are listed down towards the bottom. (more…)