So, Thomas is home and adapting.  He’s adapting to the needles better than I am and better than he’s adapting to the food changes.  Do you know how many carbs are in a blueberry bagel?  Holy crap!  But he’s adapting well enough that we’re still heading out west for my mother’s 75th birthday later this summer, although now that’s a plane trip (uggh) rather than a drive.  But Veronica prefers that and it means we’ll be home for both the season finale of Doctor Who and the season premiere of Game of Thrones.  Yes, we’ve plowed through six seasons of GoT in the last two months, thus leading to the picture above (no spoilers) and below (spoilers for season finale of Season Six).  Veronica spent one sleepless night at the hospital plowing through Peter Dinklage’s Facebook posts, which, if you watch GoT, are generally hilarious. (more…)

“The only thing necessary for the triumph of evil is for good men to do nothing.” – Edmund Burke

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees but I also wrote more about the year, originally, here.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. Good Night and Good Luck  *
  2. Munich
  3. Brokeback Mountain  **
  4. King Kong
  5. Kingdom of Heaven
  6. A History of Violence
  7. Batman Begins
  8. The Constant Gardener
  9. Pride and Prejudice
  10. Downfall
  11. Cache
  12. Syriana
  13. Wallace & Gromit: The Curse of the Were-Rabbit
  14. Saraband
  15. Match Point
  16. Twin Sisters
  17. Corpse Bride
  18. Harry Potter and the Goblet of Fire
  19. Star Wars Episode III: Revenge of the Sith
  20. Kung Fu Hustle

Analysis:  A truly fantastic year.  Brokeback ranks among the best ever #3 films, King Kong among the best #4 films and Kingdom among the best #5 films.  A History of Violence would be a nominee in most years.  The Top 5 is tied for 10th all-time.  The Top 10 is second all-time behind only 2002.  Downfall is the third best #10 film ever.  The Top 20 is the best all-time as is the 11-20.  Not only are all 20 of these films **** films, but there are actually a record 26 (the others are Sin City, Capote, Proof, Cinderella Man, Don’t Move, Elizabethtown).
I feel a little weird about this year.  Brokeback is a brilliant film and I have thought so since I saw it in the theater, but except for the stretch from when I saw it to when I first saw Munich, it has never been my #1 film.  It was Munich for years then eventually moved to Good Night and Good Luck.  But all three films are just about a tie and they come one right after the other on my grand list of all Best Picture nominees.  There’s no question, given how the year went, that it should have won Best Picture.  It won three of the six critics awards and the other four awards groups.  Only three films have more Consensus points without winning the Oscar and all three of those (LA Confidential, Social Network, Boyhood) lost the PGA and DGA and the first two also lost the Globe while Brokeback won all of those.  It was the first film ever to sweep the other four awards groups and lose the Oscar (La La Land would later do it but it would lose to a film that won more critics awards and won the Globe – Drama).  It joined The Aviator as only the second film to this point to win both the Globe and the PGA and fail to win the Oscar.  It is the only film to win the PGA, DGA and WGA and fail to win the Oscar.  Yet, it would lose to Crash, the film with the lowest Consensus point total to win the Oscar since 1995 and the first film since 1973 to win the Oscar without a Globe nomination and only the second Oscar winner to fail to be nominated for a Globe.  In fact, ironically, the most comparable year to this one is 1995, when Ang Lee’s film also looked like it should have won but lost to a film that had not done nearly as well with earlier awards groups, though at least that year had been more telegraphed when Lee failed to earn a Best Director nomination at the Oscars.
Crash, at #101, becomes the fourth Oscar winner to fail to make the Top 100 for the year.  It also finishes a period of twelve years when the Oscars awarded the worst of the five nominees a whopping seven times; it has not done so again since (through 2016).  It joins 1989 and 2000 as years where the Picture winner isn’t in my Top 50 but the Director winner is my #2. (more…)

Well, we’re home sooner than we expected.  Now we can just adjust to Type 1.  Which involves lots of needles.  And I like needles about as much as Señor Drumpf likes blacks.  Or Muslims.  Or Mexicans.  Or women.  Or the truth.  Or tasteful decor.

Anyway, still don’t know when the next post will be (obviously) as we adjust to life with a lot, lot less fruit juice and toast.  Thanks to everyone who wished him well.  It was a few frightening and tiring days.

Those who are Facebook friends of Veronica already know that Thomas has been in the ICU at Boston Children’s since yesterday afternoon and we’ve received a diagnosis of Type 1 Diabetes.  We’ll be in and out of the hospital with him almost certainly the rest of the week.  So, everything on the blog is on hold, obviously, until things are more settled down.

If you send through any comments, there may be a long delay before they are approved because I can only do that from home, so be patient.

Pay no attention to the bunnies in the door.

The 78th annual Academy Awards, for the film year 2005.  The nominations were announced on January 31, 2006 and the awards were held on March 5, 2006.

Best Animated Film:  Wallace & Gromit: The Curse of the Were-Rabbit

  • Corpse Bride
  • Howl’s Moving Castle

Most Surprising Omission: Madagascar

Best Eligible Film Not Nominated:  Steamboy

Rank (out of 16) Among Best Animated Film Years:  #1

Oscar Score:  100

Alternate Oscar Score:  100 (more…)

spilloverSpillover: Animal Infections and the Next Human Pandemic

  • Author:  David Quammen
  • Published:  2012
  • Publisher:  W. W. Norton & Company
  • Pages:  587
  • First Line:  “The virus now known as Hendra wasn’t the first of the scary new bugs.”
  • Last Line:  “It all depends.”
  • Awards:  Shortlisted for PEN/E. O. Wilson Literary Science Writing Award  /  finalist for Andrew Carnegie Medal for Excellence in Nonfiction
  • First Read:  Fall 2012

I get a lot of books out of the library, in the same way that I used to read new books at various stores back when I worked at bookstores.  I rarely, however, read those books more than once.  That’s why I buy books: so I can read them again and again.  But every now and then there is a book I go back to and I pull out of the library again.  Such a book is Spillover: Animal Infections and the Next Human Pandemic, which I first grabbed off the shelf when it was a brand new book and I was working at the Booksmith and which I just dived into for a second time because it keeps pulling at my brain.  There’s a reason for that.  It’s not only a really well-written book, one that tells a good scientific story, a fascinating human story and does it all very well.  It’s also because I have an interest in viruses. (more…)

The DiCaprio side of the DiCaprio-Scorsese collaborations takes a quantum leap.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films (or directors) in olive are links to earlier posts that I don’t want to have show up in blue and be mistaken for a nominee.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing the top 20 in the categories but only the top 5 earn Nighthawk nominations.

Nighthawk Awards:

  • Best Picture
  1. The Aviator  *
  2. A Very Long Engagement
  3. Sideways  **
  4. Eternal Sunshine of the Spotless Mind  *
  5. Harry Potter and the Prisoner of Azkaban
  6. House of Flying Daggers
  7. Closer
  8. The Incredibles
  9. Kill Bill Volume 2
  10. Silver City
  11. Hero
  12. Hotel Rwanda
  13. Million Dollar Baby  *
  14. Spider-Man 2
  15. Kinsey
  16. Bad Education
  17. Finding Neverland  *
  18. Vera Drake
  19. Shrek 2
  20. Mar Adentro

Analysis:  Ray and Eternal Sunshine actually tied for the 5th Consensus nominee spot.  Million Dollar Baby, with a third place finish, is the first Oscar winner not to be #1 or #2 at the Consensus Awards since 1995, and no film has finished below 2nd since (through 2016).
All 20 of these films are **** and there are no other **** films.  It’s a magnificent Top 10 and the third best Top 20 to-date. (more…)