Greed, for lack of a better word, is bad.

Greed is, for lack of a better word, bad.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated (the Globes still didn’t have nominees).  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winner.

Now that we have hit 1948, I will probably do more discussion in the major categories.  That’s because we’ve hit the BAFTAs and we’ve hit the first guild awards (DGA, WGA) and we get to what I call “Consensus” awards – what the various groups decided at the time.

Nighthawk Awards:

  • Best Picture
  1. The Treasure of the Sierra Madre  **
  2. Hamlet  *
  3. Red River
  4. Force of Evil
  5. Day of Wrath


My Dickens and Dostoevsky Bantam Classics

The Bantam and Signet go side by side.  Bantam is the classics paperback side of Random House just like Signet covers that for Penguin.  They are owned by two of the largest publishers and they publish many of the same books.  They are possibly the two best ways to get large library of classics in paperback.  They look great, they hold up well and they are a great bargain.

Bantam hasn’t been doing this as long as Signet – Signet, after all, has been around for decades, and I am not doing a whole history of Bantam.  These classics are the ones that began to be published around about 1981.  There were earlier Bantam Classics, but they seem to have set aside a large group of ISBN’s beginning in 1981 and they began to make them more uniform.  For a long time, they were all one solid color along the side – the Dostoevksy’s in the picture are a good example of what I love about them.  They also standardized the font on the front and spine, so they all look good together on the shelf. (more…)

my Norton Critical Editions

They are indispensable for serious literature students.  They are also great to have for those who love individual works.  Either way, they offer an amazing amount of information with each individual title.  They are a good addition to any library.

You can see a good selection of them here.  You can also find the full current list at the Norton website. (more…)

"You're gonna need a bigger boat."

My Top 20:

  1. Jaws
  2. Dog Day Afternoon
  3. One Flew over the Cuckoo’s Nest
  4. Monty Python and the Holy Grail
  5. The Man Who Would Be King
  6. Korol Lir
  7. Amarcord
  8. Barry Lyndon
  9. The Sunshine Boys
  10. The Mystery of Kaspar Hauser
  11. Three Days of the Condor
  12. Shampoo
  13. Love and Death
  14. And Now My Love
  15. The French Connection II
  16. The Story of Adele H
  17. L’Invitation
  18. Day of the Locust
  19. The Great Waldo Pepper
  20. A Brief Vacation (more…)

Elizabeth Taylor and Sandy Dennis won Oscars. Richard Burton and George Segal were nominated. They all win Nighthawk Awards for the best film of 1966: Who's Afraid of Virginia Woolf

My Top 20:

  1. Who’s Afraid of Virginia Woolf
  2. A Man for All Seasons
  3. The Professionals
  4. Morgan
  5. Red Beard
  6. Hamlet
  7. The Fortune Cookie
  8. Alfie
  9. The Russians are Coming, The Russians are Coming
  10. Loves of a Blonde
  11. You’re a Big Boy Now
  12. The Shop on Main Street
  13. Cul-de-Sac
  14. Blow-Up
  15. Georgy Girl
  16. Le Bonheur
  17. A Man and a Woman
  18. A Funny Thing Happened on the Way to the Forum
  19. 1000 Eyes of Dr. Mabuse
  20. The Sleeping Car Murders (more…)

Right. Like I was going to put any other picture here.

The 26th annual Academy Awards for the film year 1953.  The nominations were announced on February 15, 1954 and the awards were held on March 24, 1954.

Best Picture:  From Here to Eternity

  • Roman Holiday
  • Julius Caesar
  • The Robe
  • Shane

Most Surprising Omission:  Stalag 17

Best Eligible Film Not Nominated:  Stalag 17

Rank (out of 82) Among Best Picture Years:  #67 (more…)

my personal collection of the Viking Portable Library, organized by spine #

There are few publishing ventures as wonderful as the Viking Portable Library.  While the Modern Library, for a long time offered low cost hardcover classics, they were all separate works.  But in the Viking Portable Library, you could sum up great authors in the scope of one book.

If you followed the wits of the Algonquin Round Table, you know that Alexander Woollcott often got the short end of the stick (he was savaged as the lead character in The Man Who Came to Dinner and when he looked at one of his own books and sighed “Ah, what is so rare as a Woollcott first edition”, Franklin Adams quickly replied “A Woollcott second edition.”).  But in the first part of World War II, remembering his days as a soldier during the first World War, Woollcott decided to put together a book of pieces from various American authors for servicemen to read.  He proposed it to his publishing house, Viking.  It would be hardcover (a flexible hardcover for durability and making it easy to put anywhere), but also small, compact, though with a lot of pages.  They had light paper and small margins, but were compact, and most of all, portable.  After all, they were being designed for soldiers. (more…)


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