1950 has Sunset Blvd, the greatest film ever made.  1951 has A Streetcar Named Desire, with the greatest acting ever put on screen.

1950 has Sunset Blvd, the greatest film ever made. 1951 has A Streetcar Named Desire, with the greatest acting ever put on screen.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m going with a top 8 this time, even though only the top 5 in each category earn nominations (except Actor, but that will be explained).  I went with 8 because there are 8 great films in this year.

Nighthawk Awards:

  • Best Picture
  1. A Streetcar Named Desire  **
  2. Strangers on a Train
  3. Detective Story  *
  4. The African Queen
  5. A Place in the Sun  *
  6. Oliver Twist
  7. Ace in the Hole
  8. La Ronde  *

(more…)

30 years later and I still can't connect to it.

30 years later and I still can’t connect to it.

Revisiting Childhood Movies Part VIII:

The Dark Crystal

  • Director:  Jim Henson  /  Frank Oz
  • Writer:  Jim Henson  /  David Odell
  • Producer:  Jim Henson  /  Gary Kurtz
  • Stars:  Jim Henson, Frank Oz  (notable as the “first live action film with no humans”)
  • Studio:  Universal
  • Award Nominations:  BAFTA: Best Visual Effects
  • Length:  93 min
  • Genre:  Fantasy
  • MPAA Rating:  PG
  • Release Date:  17 December 1982
  • Box Office Gross:  $40.57 mil  (#16  –  1982)
  • Ebert Rating:  N/A
  • My Rating:  ***
  • My Rank:  #49  (year)
  • Nighthawk Nominations:  none
  • Nighthawk Notable:  none
  • First Watched:  on HBO when it first came to cable
  • Number of Times Watched as a Kid:  @2 or 3

(more…)

To my mind, the greatest film ever made.

To my mind, the greatest film ever made.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated (this is the first year that there are nominees for the Globes).  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m going with a top 7 again, even though only my top 5 earn nominations.  That’s because in a lot of these categories, there are more than 5 films worth mentioning.

Nighthawk Awards:

  • Best Picture
  1. Sunset Blvd.  *
  2. The Third Man  *
  3. All About Eve  **
  4. The Rules of the Game
  5. Night and the City
  6. The Asphalt Jungle  *
  7. Kind Hearts and Coronets

(more…)

A couple of very deserving Oscar winners from 1948 - a happy father and son.

A couple of very deserving Oscar winners from 1948 – a happy father and son.

Introduction:

This is a companion piece to three different series.  The first is The History of the Academy Awards, in which I covered each category in individual posts.  This was originally done in 2009 and additions were included in 2010.  You can find links to all of these pieces in each individual category.  I have grouped all of the categories together for the same reason that I did so originally – because most pieces on the Oscars don’t approach the awards through the categories, but through the years.  This specific piece is designed to take a closer look at the decade (with a couple of extra years, since there was no point in doing a separate piece on the first two years of the Oscars) and how I think the Academy did in those years.

The second series is my Year in Film series.  That is mentioned here because in those pieces I included paragraphs about the Oscars as a whole for each year and included a considerable amount of trivia.  Since I had based my Year in Film series and eligibility as such on the Academy calendar, it all seemed very relevant.  Also, starting in 1930-31, I started including various prizes (Worst Oscar, Worst Nomination, Worst Omission, etc) and I didn’t want to repeat myself, so following the links will bring you there.  Those links are at the end of this piece, where I do a brief summation of each year and how the Academy did.

The third series is my History of the Academy Awards: Best Picture series, where I reviewed every film ever nominated for Best Picture (except The Patriot, which is lost).  Those links are also down below, grouped by year. (more…)

It's possible that this film doesn't move you.  It's also possible you have no heart.

It’s possible that this film doesn’t move you. It’s also possible you have no heart.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated (this is the first year that there are nominees for the Globes).  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winner.

Nighthawk Awards:

  • Best Picture
  1. Bicycle Thieves  *
  2. The Heiress  *
  3. A Canterbury Tale
  4. A Letter to Three Wives  *
  5. It Always Rains on Sunday

(more…)

Romance and fantasy come to life in Cocteau's fairy tale.

Romance and fantasy come to life in Cocteau’s fairy tale.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category.  Films in blue were nominated.

This is the second year of the reduced number of nominees in the tech categories at the Oscars – Sound and Art Direction (the name finally changed from Interior Decoration) would have three nominees each with Cinematography and Special Effects only having two each.  It’s the fifth year for the Golden Globes, but there are still no nominees and no distinction between Drama and Comedy – the films marked in red in my Globes section won the Globe.

Nighthawk Awards:

  • Best Picture
  1. La Belle et la bête
  2. Great Expectations
  3. Stairway to Heaven  (A Matter of Life and Death)
  4. Ivan the Terrible Part I
  5. Crossfire

Analysis: A big drop-off from 1946, of course.  But an even bigger one if you want to factor in that the top four films aren’t actually from this year.  This was the year that the films from foreign markets finally started flooding in.  Eleven of my Top 20 films weren’t originally released in this year; nor is that fully reflected in the number of foreign language films, as five of my top 14 are British films released in Britain in earlier years.  And, again, there aren’t a great crop of Comedies (my Best Picture – Comedy winner is my #19 film of the year), so here are the films that follow, in order: Out of the Past, Gentleman’s Agreement, Miracle on 34th Street, L’Atalante, I See a Dark Stranger, Brute Force, I Know Where I’m Going, Brighton Rock, This Happy Breed, Boomerang, Torment, Shoeshine and The Devil’s Envoys. (more…)

The brilliant opening of Children of Paradise.

The brilliant opening of Children of Paradise.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category.  Films in blue were nominated.

This is the first year of the reduced number of nominees in the tech categories at the Oscars – Sound and Interior Decoration would have three nominees each with Cinematography and Special Effects only having two each.  It’s the fourth year for the Golden Globes, but there are still no nominees and no distinction between Drama and Comedy – the films marked in red in my Globes section won the Globe.

Note:  You will see seven films in most categories listed below.  Only the top 5 are my nominees for the year.  But the seven top films of this year are so incredibly good, I decided to list more than my top 5 – in fact, this year sets a new best for Picture, Director, Supporting Actor, Supporting Actress, Editing and Cinematography.  In later years, I will probably list my Top 10 in just about all categories, but still only my top 5 will earn nominations.

Nighthawk Awards:

  • Best Picture
  1. Children of Paradise
  2. The Best Years of Our Lives
  3. It’s a Wonderful Life
  4. The Big Sleep
  5. Brief Encounter
  6. Henry V
  7. Notorious

(more…)

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