This is my kind of film and behind it is the single best view of my old city.

This is my kind of film and behind it is the single best view of my old city.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing 10 in each category because there are a strong Top 10 in most of the categories but only the top 5 make the nomination list (except for Actor).

Nighthawk Awards:

  • Best Picture
  1. Rebel Without a Cause
  2. Mister Roberts
  3. Bad Day at Black Rock
  4. To Catch a Thief
  5. East of Eden  *
  6. Lady and the Tramp
  7. Othello
  8. The Man with the Golden Arm
  9. Mr. Hulot’s Holiday
  10. Samurai I: Miyamato Musashi

(more…)

Still one of the best scenes in all of film history.

Still one of the best scenes in all of film history.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m listing 8 in each category, namely because that’s how many **** films there are, but only the top 5 actually earn nominations and in many categories there aren’t even 8 on my list.

Nighthawk Awards:

  • Best Picture
  1. On the Waterfront  **
  2. Rear Window  *
  3. Forbidden Games
  4. A Star is Born
  5. Sabrina
  6. Gate of Hell  *
  7. Hobson’s Choice  *
  8. The Country Girl  *

Analysis:  There are many who would pick Rear Window but to me On the Waterfront is the easy winner here.  Gate of Hell is a close 6th place, but then there is a couple of points drop to Hobson and another couple to Country Girl.  Because I weight the BAFTA and Oscars the same, there is a glut of films tied for 5th place in the Consensus thanks to their BAFTA nom, including Rear Window, Gate of Hell and Hobson’s Choice. (more…)

1950 has Sunset Blvd, the greatest film ever made.  1951 has A Streetcar Named Desire, with the greatest acting ever put on screen.

1950 has Sunset Blvd, the greatest film ever made. 1951 has A Streetcar Named Desire, with the greatest acting ever put on screen.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category (or Globe, in the Globes section).  Films in blue were nominated.  Films with an asterisk (*) were Consensus nominees (a scale I put together based on the various awards) while those with a double asterisk (**) were the Consensus winners.

I’m going with a top 8 this time, even though only the top 5 in each category earn nominations (except Actor, but that will be explained).  I went with 8 because there are 8 great films in this year.

Nighthawk Awards:

  • Best Picture
  1. A Streetcar Named Desire  **
  2. Strangers on a Train
  3. Detective Story  *
  4. The African Queen
  5. A Place in the Sun  *
  6. Oliver Twist
  7. Ace in the Hole
  8. La Ronde  *

(more…)

I though it would be nicer to just include the three Top 25 directors rather than explain that Lucas didn't get that high.  If you need these people identified you are at the wrong website.

I though it would be nicer to just include the version of the picture with three Top 25 directors rather than explain that Lucas didn’t get that high. If you need these people identified you are at the wrong website.

This is the final ranked list of those directors who have been nominated for Best Director by the Academy of Motion Pictures Arts and Sciences.  This is part 9 of the series.  As always, you can find the previous eight posts in this series by going here.  There is also an introduction here, which explains the scope of the project as well as my scoring system.  I have made certain to finish this now for two reasons.  The first is that I wanted to get it done before another Oscar season begins and I had to add somebody (Alfonso Cuarón, perhaps?).  The second is because I intend to do a Top 100 Directors 3.0 list before too long and I wanted this out of the way; that list, originally intended for this month, will probably be pushed back into at least winter, if not early spring in order to get this year’s batch of late films from Top 100 directors watched (e.g. Inside Llewyn Davis, Wolf of Wall Street, The Hobbit, Captain Phillips, Gravity).

One thing to bear in mind about the top of the list.  On my point scale, there is only a 75 point difference between the #1 and #8 spots.  There is then a 58 point difference between #8 and #9, and an 83 point difference between #8 and #11.  So, if the director you really want to champion is among that top 7, that’s the elite of the elite. (more…)

Tom Jones won Best Picture in 1963 and made Albert Finney a star.

The 36th Academy Awards for the film year 1963.

Best Picture:  Tom Jones

  • Lilies of the Field
  • America, America
  • How the West Was Won
  • Cleopatra

Most Surprising Omission:  Hud

Best Eligible Film Not Nominated:  The Great Escape

Rank (out of 82) Among Best Picture Years:  #78 (more…)

Sleeping Beauty: the best animated film of the 1950's

So why do this now?  Well, because I already covered the years in film, with 1950 – 1955 coming back before I started the History of Best Picture, and I have finally caught up with where I began my History.  So, since the next film year will be 1961, in which I will do both Year in Film and Best Picture, now is the time to wrap up the 1950’s.

1950  –  1959

Total Films I’ve Seen:  692

Films That Make the Top 5 in Any Category:  40

Best Film Not to Make the Top 5 in Any Category:  The Searchers

Film of the Decade:  Sunset Blvd. (more…)

The "fat ugly man" wins the Oscar. Betsy Blair just gets a nomination.

The 28th annual Academy Awards, for the film year 1955.  The nominations were announced on February 18, 1956 and the awards were held on March 21, 1956.

Best Picture:  Marty

  • Mister Roberts
  • Picnic
  • The Rose Tattoo
  • Love is a Many-Splendored Thing

Most Surprising Omission:  East of Eden

Best Eligible Film Not Nominated:  Rebel Without a Cause

Rank (out of 82) Among Best Picture Years:  #66 (more…)

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