chaplin4

That wonderful final shot.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category.  Films in blue were nominated.  But remember, there’s still only eight categories at this point.

Nighthawk Awards:

  • Best Picture
  1. City Lights
  2. Dracula
  3. The Public Enemy
  4. Le Million
  5. Earth

(more…)

Bela Lugosi with the lovely, but tragic Helen Chandler in Dracula (1931).

Bela Lugosi with the lovely, but tragic Helen Chandler in Dracula (1931).

My Top 6:

  1. Dracula
  2. Le Million
  3. The Front Page
  4. Animal Crackers
  5. Little Caesar
  6. The Criminal Code

Note:  So, this time I managed to get to six.  There is a long list of notable adaptations at the bottom, none of which managed to place high enough in my esteem to actually break into my contenders.  As it is, there is a significant difference between the top two (which are almost a tie) and all the rest of the scripts on the list. (more…)

Robert Altman on the set of Prairie Home Companion with his "standby director", Paul Thomas Anderson, who agreed to that role for insurance reasons.  In between is some actress.

Robert Altman (#33) on the set of Prairie Home Companion with his “standby director”, Paul Thomas Anderson (#28), who agreed to that role for insurance reasons. In between is some actress.

This is the penultimate ranked list of those directors who have been nominated for Best Director by the Academy of Motion Pictures Arts and Sciences.  This is part 8 of the series, with one part still left to go.  As always, you can find the previous seven posts in this series by going here.  There is also an introduction here, which explains the scope of the project as well as my scoring system.  I have been focusing on finishing this series this year, both so that I go do the bi-annual update of the Top 100 Directors of All-Time and because I want to do it before another Oscar season and some more directors potentially end up needing to be ranked.

In a reversal of the last group, these are the more experienced directors.  With the exception of four Studio Era workhorses, the 25 directors in the last post had only averaged 7.76 films.  This time, we have seven directors (Lucas, Olivier, Coppola, Fosse, Malick, Mendes, Anderson) who have only directed a combined 39 films – an average of 5.57 (I’ve seen all but two of those – the two now out or about to be in theaters).  The other 18 directors have averaged 19.83 films – or if you cut out Lynch, Branagh and Leigh, you have 15 directors who have made 325 films (21.67 each), of which I have seen 308.  I have also seen 95.2% of these films – only missing more than one film by Renoir (4) and Capra (9).  And the only film I’m missing from both Truffaut and Malle are on TCM in the next month.  And this just about caps it for the less experienced directors.  The only director in the last post with fewer than 10 films to his credit is Tarantino.

The other demarcation point between this group and the final group is the number of great (****) films they have directed.  Of the final 25, only one has directed fewer than 5 great films – Francis Ford Coppola, at #25, and he’s got four.  Only four others have directed just five – Charlie Chaplin, Orson Welles (both of whom have smaller amounts of total films), Clint Eastwood and Elia Kazan.  But how many directors have directed more than five great films and aren’t in the top 25?  Just five – all of whom are here: Stephen Frears (which is how he ranks this high), Steven Soderbergh, Pedro Almodóvar, Frank Capra and Francois Truffaut.  They all have six great films.  All sixteen directors who directed more than six great films are in the final group. (more…)

Still a powerful ending after 83 years.

Still a powerful ending after 83 years.

You can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  First there are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom – it might be eligible in a different year.  Films in red won the Oscar in that category.  Films in blue were nominated.  But remember, there’s still only eight categories at this point.

Nighthawk Awards:

  • Best Picture
  1. All Quiet on the Western Front
  2. Lucky Star
  3. Asphalt
  4. The Wonderful Lies of Nina Petrovna
  5. A Cottage on Dartmoor

(more…)

"So long as I don't know his name perhaps I may still forget him, time will obliterate it, this picture."  All Quiet on the Western Front, p 224

“So long as I don’t know his name perhaps I may still forget him, time will obliterate it, this picture.” All Quiet on the Western Front, p 224

My Top 5:

  1. All Quiet on the Western Front
  2. Lucky Star
  3. Anna Christie
  4. Au Bonheur des Dames
  5. The Cocoanuts

Note:  Again, we only have a top 5.  It was originally more, but in re-watching some films, while I have found more to add in the acting categories, I have found more to subtract in the writing categories.  The Great Gabbo was here at one point, as was Hitchcock’s Blackmail and even Murnau’s City Girl but I ended up cutting all three of them.  This is what I am left with and it’s not an impressive top 5.  All Quiet would be a winner in most years but in a decent year, none of the others would even come close to my top 10, let alone earn actual nominations. (more…)

NosferatuShadowYou can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  There are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom.  Films in red won the Oscar in that category.  Films in blue were nominated.  But remember, there were only a handful of Oscar categories in this, the second year of the Oscars (and, in fact, several fewer than the year before).

Nighthawk Awards:

  • Best Picture
  1. Nosferatu
  2. The Wind
  3. Steamboat Bill Jr
  4. L’Argent
  5. Lonesome (more…)
One of the brilliant scenes in Murnau's Nosferatu that's not in the original source.

One of the brilliant scenes in Murnau’s Nosferatu that’s not in the original source.

My Top 5:

  1. Nosferatu
  2. L’Argent
  3. The Wind
  4. The Docks of New York
  5. Street Angel

Note:  There is only a top 5 for this year.  There were more than enough adapted screenplays to have a Top 10 if the quality of the scripts had merited it.  They do not.  And there wouldn’t even have been 5 if I hadn’t seen L’Argent last week. (more…)

sunrise7shotsYou can read more about this year in film here.  The Best Picture race is discussed here, with reviews of all the nominees.  There are the categories, followed by all the films with their nominations, then the Globes, where I split the major awards by Drama and Comedy, followed by a few lists at the very end.  If there’s a film you expected to see and didn’t, check the very bottom.  Films in red won the Oscar in that category.  Films in blue were nominated.  But remember, there were only a handful of Oscar categories in this, the first year of the Oscars.

Nighthawk Awards:

  • Best Picture
  1. Sunrise
  2. Metropolis
  3. The Man Who Laughs
  4. The Circus
  5. 7th Heaven (more…)
One of the beautiful and haunting images from Sunrise.  Nothing to do with the script, but great to look at.

One of the beautiful and haunting images from Sunrise. Nothing to do with the script, but great to look at.

My Top 10:

  1. Sunrise
  2. 7th Heaven
  3. The Man Who Laughs
  4. The Love of Jeanne Ney
  5. The Cat and the Canary
  6. Tartuffe
  7. Sadie Thompson
  8. The Lodger
  9. Laugh Clown Laugh
  10. The Scarlet Letter (more…)
I grabbed this banner from altscreen.com.  They deserve credit, because it's awesome.

I grabbed this banner from altscreen.com. They deserve credit, because it’s awesome.

My Top 10 Adapted Screenplays:

  1. Greed  (1925)
  2. The Phantom of the Opera  (1925)
  3. The Hunchback of Notre Dame  (1923)
  4. Faust  (1926)
  5. The Four Horsemen of the Apocalypse  (1921)
  6. Dr. Jekyll and Mr. Hyde  (1920)
  7. Ingeborg Holm  (1913)
  8. Oliver Twist  (1922)
  9. The Birth of a Nation  (1915)
  10. The Avenging Conscience  (1914) (more…)
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