Sergio Leone

Henry Fonda as the cold-blooded killer Frank in Once Upon a Time in the West (1969)
- Born: 1929
- Died: 1989
- Rank: 73
- Score: 529.70
- Nominations: BAFTA / GG
- Feature Films: 7
- Best: Once Upon a Time in the West
- Worst: A Fistful of Dynamite
Films (in rank order):
- Once Upon a Time in the West – 1969
- The Good, the Bad and the Ugly – 1966
- Once Upon a Time in America – 1984
- A Fistful of Dollars – 1964
- For a Few Dollars More – 1965
- The Colossus of Rhodes – 1961
- A Fistful of Dynamite – 1971
Top 10 Best Director Finishes (Nighthawk Awawrds):
- 1967 – 10th – A Fistful of Dollars
- 1968 – 4th – The Good, the Bad and the Ugly
- 1969 – 2nd – Once Upon a Time in the West
- 1984 – 5th – Once Upon a Time in America
Even if Sergio Leone had stopped making films after 1966 – had never made his best film or his epic masterpiece, cinema would still owe him a huge debt. Because in a few short years, he made the Man With No Name Trilogy, the birth of the Spaghetti Western, the films that turned Clint Eastwood from a television actor into a worldwide star.
Leone worked in Italy for years as an assistant director and his first few directorial efforts are both uncredited and unconfirmed. He finally made his own film with the sword and sandal The Colossus of Rhodes, which is fairly forgettable. But then in a burst of energy in the mid’60′s, he made his three films with Eastwood (the inspiration for Stephen King’s masterful Dark Tower saga). He finished off the 60′s with his best film, one of the best Westerns ever made – Once Upon a Time in the West. He stopped in for one mediocre film before spending years putting together Once Upon a Time in America, a film that was badly cut when it was originally released in the U.S. but is a fantastic film that should be viewed in its entirety. He died of a heart attack before he could start making his long planned film on the siege of Stalingrad.
Once Upon a Time in the West – #2 film of 1969
It is the single greatest years for Westerns. The #1 film of the year is The Wild Bunch. The #3 film is Butch Cassidy and the Sundance Kid. And in between stands Leone’s masterpiece, the film he was finally able to get Henry Fonda for.
According to the stories, Fonda showed up on set prepared to play the cold blooded killer wearing brown contact lenses. Leone ordered him to take them out, because he wanted a close up after Fonda slaughtered the family in the opening scenes and he wanted that close up to focus on Fonda’s famous blue eyes. Fonda was the right choice and his portrayal of Frank is one of the best of his career, a stark difference from the two really good people he had played that defined his career (Tom Joad and Doug Roberts). In all the talk about Darth Vader and Hannibal Lector, Fonda’s Frank is lost in the shuffle of all-time great movie villains, but his is one of the best.
Leone learned from his experiences from the Man With No Name Trilogy and expanded. Instead of shooting in Spain, this time he went to John Ford’s beloved Monument Valley. Instead of using Eastwood, he put Charles Bronson in the main role (again with no name, but this time with a back story). But the link between the films is Ennio Morricone and his amazing score. The score for Fistful had been brilliant and the score for Ugly has become iconic, but his best score is the recurring harmonica music, especially during the final closing fight. This is Morricone’s best moment in a long, treasured career.
18 August, 2010 at 5:47 pm
#72 PLEASE! Virtually every film he made is now acknowledged as a Classic or outright Masterpiece. His influence on today’s directors extends around the world. From Kitano & Miike to their Asian brothers in Korea back to Tonatore in Italy to Scorcese, the Hughes and Polish Brothers to Tarantino, Rodriguez and the Coen and on & on. The influence of Leone seems endless i.e. the center piece battle between Hit Girl and the mob boss in Kick Ass.
His Greatness extended far beyond the re-imagining of the western. Monumental moments in cinematography, the magical relationship he had with Morricone and perhaps most importantly, the most clear cut imprint of his directing style on every film he made. I will argue that no other director in cinema’s history had a more defined style than Leone. From the music, the images, the actual movement of his films, Leone was unique and one of a kind.
As Scorcese said “there will never be another like him”.
To place him at #73 says that there were 72 other directors who made more of an impact on cinema. I say RUBBISH. Leone provided more cinema to cherish revere in the 1st hour of Once Upon a Time in the West than Woody “but she’s not a blood relation” Allen has offered in his entire overrated career.
NOT ONE ACADEMY AWARD NOMINATION FOR THIS GROUP OF ARTISTS, NOT ONE!
#73? Why in the world would you have such a nice blog dedicated to cinema? Clearly, you have no love for it.
28 October, 2010 at 9:25 am
I agree with Ray….have lost all respect for you